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PREVIOUSLY ON LOVE and HIP-HOP:

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ATLANTA...

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I WANT TO PUMP THE BRAKES.

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PUMP MY BRAKES?

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WHAT THAT MEAN?

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I DON'T WANT TO START

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PLANNING NO WEDDING UNTIL

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I REALLY FEEL LIKE

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YOU GOT MY BACK.

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IF SHE SAID PUMP THE BRAKES,

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I'M PUMPING THEM ALL THE WAY.

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YOU FOLLOWING THE LEAD.

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I'M FOLLOWING THE LEAD.

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[moans]

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I LIKE RandB.

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I LIKE RAP--

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EMBODIED MUSIC.

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WHAT YOU GRABBING ON?

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I'M JUST--

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WATCH YOUR HANDS.

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WHAT YOU GRABBING ON?

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WHAT'S GOING ON WITH BENZINO?

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YOU KNOW HE TOLD ME

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HE [bleep] YOU.

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ARE YOU SERIOUS?

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WE DON'T KNOW IF SHE LYING

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RIGHT NOW.

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SHE MIGHT BE TELLING THE TRUTH.

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LET'S JUST GET TO THE BOTTOM

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OF IT.

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YOU GONNA CHECK THIS [bleep]

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OR WHAT?

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WHAT ARE YOU DOING?

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WHAT YOU MEAN,

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WHAT I'M DOING?

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IF WE GOT HISTORY, THEN WHAT

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ARE YOU DOING, THEN?

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BYE, BITCH.

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SLEAZE, LEAVE.

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[bleep] THAT BITCH.

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I GOT TO DO BUSINESS

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WITH YOU, AND I GOT TO SEE

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THIS [bleep]?

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WHAT I DO ON MY OWN TIME

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IS WHAT I DO ON MY OWN TIME.

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WHAT I DO WITH MY MONEY

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IS WHAT I DO WITH MY MONEY.

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DO YOU THINK I WANT TO BE

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A BABY MAMA?

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I DIDN'T CHOOSE THIS [bleep].

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YOU CHOSE IT FOR ME, AND THEN

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HOW YOU LIVE YOUR LIFE AFFECTS

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ME--YOU DON'T EVEN KNOW IT.

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP ♪

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE ♪

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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AFTER THE INCIDENT THAT

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HAPPENED THE OTHER DAY, DREW

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ASKED ME TO LUNCH TO TALK, AND

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HE'S ABSOLUTELY THE LAST PERSON

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THAT I WANT TO TALK TO, BUT WE

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ARE A FAMILY, SO I DECIDED

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TO CALL A BABYSITTER AND GO TALK

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TO HIM AFTER ALL.

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DREW IS REALLY ONE OF THE ONLY

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PEOPLE THAT CAN DRAW THIS TYPE

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OF EMOTION OUT OF ME, BECAUSE

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I NEVER LOVED ANYONE AS MUCH

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AS I LOVED HIM, AND I HAVE

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NEVER GOTTEN MY HEART BROKEN

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AS MUCH AS HE BROKE MINE.

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WE WERE TOGETHER FOR FOUR YEARS,

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AND WE PLANNED ON GETTING

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MARRIED.

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WE TALKED ABOUT MARRIAGE.

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AND WHEN I GOT PREGNANT,

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SINCE I KNEW MARRIAGE

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WAS COMING, I WAS OKAY WITH

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HAVING THE CHILD, AND IT JUST

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WENT THE OTHER WAY.

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I STILL HAVEN'T MET ANYONE YET

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WHO I CAN LOVE.

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TRACI.

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SO WHAT'S UP?

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THE OTHER DAY,

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WHAT HAPPENED WASN'T COOL.

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I KNOW YOU'RE UPSET ABOUT IT

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AND EVERYTHING, BUT IN ORDER

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FOR THAT NOT TO HAPPEN AGAIN,

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WE NEED TO ESTABLISH SOME RULES,

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BECAUSE THAT'S JUST NOT COOL.

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I MEAN, IF THAT'S WHAT YOU

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FEEL IS BEST, THEN THAT'S FINE.

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I MEAN, I WANT TO GET AWAY FROM,

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YOU KNOW, RUNNING INTO SEEING,

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HEARING ABOUT ANYBODY

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THAT YOU DEALING WITH.

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I NEVER RUB NOTHING

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IN YOUR FACE.

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THAT IS NOT TRUE.

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FIRST OF ALL, FROM THE

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BEGINNING, WHEN I WAS PREGNANT

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AND YOU CHEATED ON ME, WHICH YOU

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STILL HAVEN'T ADMITTED.

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WHAT IS YOUR DEFINITION

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OF CHEATING?

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YOU WERE ENTERTAINING

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OTHER WOMEN.

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CORRECT.

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YOU WERE SEEING

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OTHER WOMEN...

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CORRECT.

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WHILE YOU HAVE

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A PREGNANT GIRLFRIEND.

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THAT'S NOT--THAT'S--

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THAT SOUNDS OKAY TO YOU?

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I DIDN'T SAY IT WAS.

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I'M JUST SAYING, YOU ASKED ME

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A QUESTION--

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SO YOU'RE SAYING YOU NEVER

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SLEPT WITH ANOTHER WOMAN.

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RIGHT.

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NEVER.

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DREW, DON'T LET ME PUNCH YOU

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IN YOUR FACE, 'CAUSE YOU'RE--

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PLEASE DON'T LET ME REACH OVER

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THIS TABLE, JESUS.

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I'M SIX MONTHS PREGNANT.

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WOMEN ARE TEXTING ME.

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SOME CHICK OUT OF NEW YORK--

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"HE'S [bleep]."

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THE WOMEN CAME FROM THE LEFT

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TO THE RIGHT,

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AND IT DROVE ME CRAZY.

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NO WOMAN SHOULD EVER HAVE TO

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GO THROUGH WHAT I WENT THROUGH

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WHEN I WAS PREGNANT.

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NONE.

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I AGREE.

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THAT'S WHY WE SHOULDN'T

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REVISIT THIS CONVERSATION,

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IS EVERY TIME--

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BUT I WANT YOU TO CHANGE.

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I WENT THROUGH A LOT,

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AND I DESERVE NOT TO SEE

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NO MORE WOMEN.

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I DESERVE NOT TO DEAL

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WITH NO MORE GROUPIES.

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I DESERVE MUCH MORE

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THAN WHAT I'M GETTING.

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YOU KNOW WE HAVEN'T BEEN

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TOGETHER IN SEVEN YEARS, RIGHT?

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I KNOW THAT.

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OKAY, I'M JUST--

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YOU KNOW, I DON'T LIKE TO SEE

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TRACI CRY, BUT I'M A SINGLE MAN.

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I BEEN SINGLE FOR A WHILE.

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I NEED TO DO ME.

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IF I HAVE SOME WOMEN OVER

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AT MY HOUSE, I HAVE WOMEN OVER

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AT MY HOUSE.

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IT'S WHAT I DO.

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LET'S GET TO THE POINT.

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THE POINT IS, YOU BROUGHT ME

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HERE FOR A REASON, RIGHT?

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WHAT DO YOU WANT?

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I WANT YOUR MONEY.

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THAT CHECK--

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[laughs]

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YOU GONNA GET THAT CHECK--

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"GIVE ME THE MONEY."

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AT THE END OF THE DAY,

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THAT'S ALL IT'S ABOUT.

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WE TRYING TO MAKE THIS MONEY,

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TAKE CARE OF OUR FAMILY--

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THIS SNEAKER BOUTIQUE

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WILL DO THAT.

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YOU KNOW THAT.

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OKAY.

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LET ME JUST GO,

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AND WE'LL TALK ABOUT THE STORE.

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WE'LL SOMEHOW TRY TO SEPARATE

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THIS BUSINESS

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AND EVERYTHING ELSE.

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NEXT TIME I TALK TO YOU,

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WE'LL JUST TALK STRICTLY

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ABOUT THE STORE.

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MATTER OF FACT, I'LL COME

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TO THE STORE, WE'LL TALK ONLY

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BUSINESS AND NOTHING ELSE...

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ALL RIGHT, GOOD.

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AND WE'LL WORK THIS OUT.

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CAN I HAVE A HUG?

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NO. DON'T TOUCH ME.

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* I GOT A FRIEND

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♪ AND WE CARRY ON

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♪ WE CAN STAY UP

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♪ ALL NIGHT LONG

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♪ SINGING TO OUR

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♪ FAVORITE SONGS

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♪ LAUGHING ABOUT

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♪ ALL THE THINGS WE DID

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♪ BACK WHEN...

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AN OLD FRIEND, NIKKO,

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CAME BACK INTO MY LIFE.

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THANK YOU.

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I'VE KNOWN HIM--ACTUALLY MET HIM

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ABOUT 12 OR 13 YEARS AGO.

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I'VE KNOWN HIM FOR A WHILE.

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WE STARTED DATING A FEW MONTHS

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AGO, AND I'M LOVING IT RIGHT

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NOW, SO I'M HAPPY.

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HOW DOES IT FEEL TO BE

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IN PUBLIC FOR THE FIRST TIME

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TOGETHER?

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I LOVE IT.

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I LOVE THE SMILE.

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THAT'S YOUR BIGGEST ASSET.

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THANK YOU.

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I'M JUST, LIKE--

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I JUST WANT TO PUT THIS

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OUT THERE.

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I KNOW WE HAVE JUST--GETTING TO

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KNOW EACH OTHER ALL OVER AGAIN,

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AND IT'S GONNA TAKE A REAL

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STRONG, SECURE MAN TO DEAL

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WITH MY SITUATION, 'CAUSE--

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WHY DO YOU FEEL LIKE YOU

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STILL ATTACHED TO A SITUATION

244
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THAT YOU CAN'T RUN FROM?

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I GOT SOME BAGGAGE.

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MOST PEOPLE WOULD PROBABLY

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BE AFRAID.

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THEY'D BE, LIKE--

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EVERYBODY GOT BAGGAGE.

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I DON'T HAVE THE BAGGAGE THAT

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YOU HAVE, BUT DO I HAVE...

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A PAST?

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OF COURSE I HAVE A PAST,

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BUT MY PAST IS NOT HAUNTING ME.

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IS MY PAST STILL HAUNTING ME?

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YES AND NO.

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MY PAST WITH STEVIE IS JUST

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THAT--THE PAST--BUT ALSO,

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15 YEARS PLUS WITH STEVIE

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MAKES ME DOUBT ALL MEN

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AND THEIR SINCERITY.

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ONE: I HAVE A 3-YEAR-OLD.

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SHE'S NOT 15.

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SHE'S 3.

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RIGHT.

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TWO: YOU'RE IN THE SAME

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PROFESSION.

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YEAH, BUT THAT'S WHAT I DO.

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I'M NOT GONNA CHANGE WHAT I'M

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DOING BECAUSE PEOPLE

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ARE SAYING--

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YOU GOT TO MAKE THAT DECISION

273
00:07:00,320 --> 00:07:01,889
FOR YOURSELF, AND I KNOW,

274
00:07:01,889 --> 00:07:02,756
YOU KNOW, I'M--YOU KNOW,

275
00:07:02,756 --> 00:07:03,891
EVERYBODY MIGHT BE TELLING--

276
00:07:03,891 --> 00:07:05,493
"OH, ANOTHER PRODUCER,"

277
00:07:05,493 --> 00:07:07,227
BUT I'M NOT THAT DUDE.

278
00:07:07,227 --> 00:07:09,663
GUESS WHAT.

279
00:07:09,663 --> 00:07:11,364
I'M GOING WITH MY GUT

280
00:07:11,364 --> 00:07:14,668
AND MY INTUITION, SO...

281
00:07:14,668 --> 00:07:15,603
GOOD.

282
00:07:15,603 --> 00:07:17,505
SO WHAT YOUR GUT TELLS YOU?

283
00:07:17,505 --> 00:07:19,607
* I GOT A MAN

284
00:07:19,607 --> 00:07:21,141
THAT'S NOT A TRUE QUESTION.

285
00:07:21,141 --> 00:07:23,043
[laughs]

286
00:07:23,043 --> 00:07:25,946
* BUT I HAVE A FRIEND

287
00:07:25,946 --> 00:07:27,948
♪ WHO'S MY EVERYTHING ♪

288
00:07:30,350 --> 00:07:31,519
WHEN I TOLD SCRAPPY THAT

289
00:07:31,519 --> 00:07:32,986
I WANTED TO PUMP THE BRAKES

290
00:07:32,986 --> 00:07:34,855
ON THE PLANNING OF OUR WEDDING,

291
00:07:34,855 --> 00:07:35,723
I WAS JUST THINKING THIS WAS

292
00:07:35,723 --> 00:07:37,691
ANOTHER BUMP IN THE ROAD,

293
00:07:37,691 --> 00:07:41,529
AND I'M REALIZING IT'S NOT.

294
00:07:41,529 --> 00:07:42,763
SO THE OTHER NIGHT, I GO

295
00:07:42,763 --> 00:07:44,297
DOWNSTAIRS, GET ME SOMETHING

296
00:07:44,297 --> 00:07:45,265
TO DRINK--IT'S PROBABLY ABOUT

297
00:07:45,265 --> 00:07:46,667
12:00, 1:00 IN THE MORNING--

298
00:07:46,667 --> 00:07:48,769
AND SCRAPPY'S ASLEEP,

299
00:07:48,769 --> 00:07:50,303
AND HIS PHONE IS JUST VIBRATING.

300
00:07:50,303 --> 00:07:51,138
IT'S GOING OFF.

301
00:07:51,138 --> 00:07:52,973
EVERYTHING'S POPPING UP ON THE

302
00:07:52,973 --> 00:07:55,375
SCREEN, AND IT'S TEXT MESSAGES.

303
00:07:55,375 --> 00:07:56,343
YOU KNOW, "WHAT YOU DOING?"

304
00:07:56,343 --> 00:07:57,410
OR "WHERE YOU AT?"

305
00:07:57,410 --> 00:07:58,546
AND, YOU KNOW, "I MISS YOU.

306
00:07:58,546 --> 00:07:59,580
IT WAS GOOD SEEING YOU,"

307
00:07:59,580 --> 00:08:01,414
AND IT'S LIKE, SEEING YOU

308
00:08:01,414 --> 00:08:04,217
WHERE AND WHEN?

309
00:08:04,217 --> 00:08:05,919
IF IT WAS SOMEONE ELSE

310
00:08:05,919 --> 00:08:07,821
WITHOUT A HISTORY OF CHEATING,

311
00:08:07,821 --> 00:08:08,822
THEN MAYBE I COULD HAVE JUST

312
00:08:08,822 --> 00:08:11,559
BRUSHED IT OFF, BUT NOT SCRAPPY.

313
00:08:14,261 --> 00:08:14,995
YOU DON'T KNOW, BUT I WENT

314
00:08:14,995 --> 00:08:16,463
THROUGH YOUR PHONE, SEEN YOUR

315
00:08:16,463 --> 00:08:18,398
TEXTS AND TALKING TO FEMALES AND

316
00:08:18,398 --> 00:08:21,234
WHATNOT, AND THAT JUST REALLY

317
00:08:21,234 --> 00:08:23,136
BOTHERS ME, BECAUSE YOU YOURSELF

318
00:08:23,136 --> 00:08:24,137
TOLD ME THAT'S SOMETHING

319
00:08:24,137 --> 00:08:24,805
I WOULDN'T HAVE TO

320
00:08:24,805 --> 00:08:26,406
WORRY ABOUT, AND--

321
00:08:26,406 --> 00:08:27,340
THAT COULD BE JUST SOMETHING

322
00:08:27,340 --> 00:08:28,275
I DO, YOU FEEL ME?

323
00:08:28,275 --> 00:08:29,042
OR I DID.

324
00:08:29,042 --> 00:08:29,810
I COULD JUST BE TEXTING,

325
00:08:29,810 --> 00:08:30,644
YOU FEEL ME?

326
00:08:30,644 --> 00:08:31,478
SO IT MAKES IT OKAY?

327
00:08:31,478 --> 00:08:33,614
NO, BUT WHAT IT DOES IS,

328
00:08:33,614 --> 00:08:35,282
LIKE, ONCE YOU GO LOOKING FOR

329
00:08:35,282 --> 00:08:36,416
SOMETHING, YOU GONNA FIND IT,

330
00:08:36,416 --> 00:08:37,184
YOU KNOW WHAT I'M SAYING?

331
00:08:37,184 --> 00:08:37,951
'CAUSE YOU'RE NOT LOOKING

332
00:08:37,951 --> 00:08:40,320
IN MY PHONE TO SEE NOTHING.

333
00:08:40,320 --> 00:08:41,454
YOU'RE LOOKING IN MY PHONE

334
00:08:41,454 --> 00:08:42,322
WITH THE MIND, "I'M GONNA

335
00:08:42,322 --> 00:08:43,657
SEE SOMETHING."

336
00:08:43,657 --> 00:08:45,025
SO YOU GO IN THERE WITH THAT

337
00:08:45,025 --> 00:08:47,595
MIND, YOU GONNA SEE WHAT?

338
00:08:47,595 --> 00:08:48,829
SOMETHING.

339
00:08:48,829 --> 00:08:51,632
I AIN'T, LIKE, A PEACHY CLEAN

340
00:08:51,632 --> 00:08:52,700
DUDE, YOU KNOW WHAT I'M SAYING?

341
00:08:52,700 --> 00:08:55,035
BUT I FEEL LIKE, EVEN BEFORE,

342
00:08:55,035 --> 00:08:56,136
YOU KNOW, YOU SEEN THEM TEXTS

343
00:08:56,136 --> 00:08:57,004
IN MY PHONE, YOU STILL HAD THE

344
00:08:57,004 --> 00:08:58,906
TRUST ISSUE, SO IT WAS, LIKE--

345
00:08:58,906 --> 00:08:59,607
IT'S NOT--

346
00:08:59,607 --> 00:09:01,108
NO, NO, NO, LET ME FINISH.

347
00:09:01,108 --> 00:09:02,810
EVEN WHEN SOMETHING ELSE HAPPEN,

348
00:09:02,810 --> 00:09:03,677
YOU KNOW WHAT I'M SAYING,

349
00:09:03,677 --> 00:09:05,312
THAT I HAVE NOTHING TO DO WITH,

350
00:09:05,312 --> 00:09:06,614
IT STILL FOLLOW ME.

351
00:09:06,614 --> 00:09:07,615
HOW CAN I TRUST YOU

352
00:09:07,615 --> 00:09:08,381
OR BUILD TRUST IN YOU IF--

353
00:09:08,381 --> 00:09:09,850
THAT'S WHAT I'M SAYING.

354
00:09:09,850 --> 00:09:10,784
WHEN I SEE WHAT I SEE IN YOUR

355
00:09:10,784 --> 00:09:11,719
PHONE, IT'S LIKE, IT TAKES--

356
00:09:11,719 --> 00:09:13,053
EVERYTHING THAT I BEGIN

357
00:09:13,053 --> 00:09:14,287
TO BUILD BACK IN YOU,

358
00:09:14,287 --> 00:09:15,923
IT TAKES ALL THAT AWAY FROM ME,

359
00:09:15,923 --> 00:09:17,190
SO IT'S LIKE STARTING ALL OVER

360
00:09:17,190 --> 00:09:17,958
AGAIN, AND IT'S LIKE, WELL,

361
00:09:17,958 --> 00:09:19,026
HOW MANY TIMES DO I HAVE TO KEEP

362
00:09:19,026 --> 00:09:20,861
STARTING ALL OVER AGAIN?

363
00:09:20,861 --> 00:09:21,528
JUST LIKE AN EMOTIONAL

364
00:09:21,528 --> 00:09:23,631
ROLLER COASTER.

365
00:09:23,631 --> 00:09:25,766
I KNOW LOVE AIN'T THE EASIEST

366
00:09:25,766 --> 00:09:26,700
THING IN THE WORLD,

367
00:09:26,700 --> 00:09:27,400
YOU KNOW WHAT I'M SAYING?

368
00:09:27,400 --> 00:09:28,101
IT IS NOT SUPPOSED TO BE

369
00:09:28,101 --> 00:09:28,769
THE HARDEST.

370
00:09:28,769 --> 00:09:30,904
TYPICAL SCRAPPY.

371
00:09:30,904 --> 00:09:32,906
I'M TRYING TO DISCUSS A SPECIFIC

372
00:09:32,906 --> 00:09:34,975
ISSUE, AND YOU WANT TO TALK

373
00:09:34,975 --> 00:09:36,944
ABOUT THE MEANING OF LOVE.

374
00:09:36,944 --> 00:09:38,145
NOT THIS TIME.

375
00:09:38,145 --> 00:09:39,212
I DON'T FEEL LIKE FEEDING

376
00:09:39,212 --> 00:09:41,081
INTO YOUR BULL[bleep].

377
00:09:41,081 --> 00:09:41,749
BUT I DO LOVE YOU.

378
00:09:41,749 --> 00:09:42,816
TELLING YOU WHAT THE REAL IS.

379
00:09:42,816 --> 00:09:43,851
I DO LOVE YOU, BABE.

380
00:09:43,851 --> 00:09:44,652
MAYBE YOU NEED TO SEE

381
00:09:44,652 --> 00:09:45,352
THE OTHER ONE, 'CAUSE HAVE

382
00:09:45,352 --> 00:09:46,186
YOU NOTICED?

383
00:09:46,186 --> 00:09:46,920
YEAH, I NOTICED.

384
00:09:46,920 --> 00:09:47,655
YOU HAVE?

385
00:09:47,655 --> 00:09:48,488
YEAH.

386
00:09:48,488 --> 00:09:49,156
I'VE TAKEN IT OFF,

387
00:09:49,156 --> 00:09:50,290
AND I HAVEN'T PUT IT BACK ON.

388
00:09:50,290 --> 00:09:52,359
DO YOU WANT IT?

389
00:09:52,359 --> 00:09:53,426
THAT'S THE WHOLE QUESTION.

390
00:09:53,426 --> 00:09:55,295
DO YOU WANT THE RING?

391
00:09:55,295 --> 00:09:56,563
IF THAT'S NOT WHAT YOU WANT, I'M

392
00:09:56,563 --> 00:09:57,698
COOL, YOU KNOW WHAT I'M SAYING?

393
00:09:57,698 --> 00:09:58,365
I'M REAL COOL.

394
00:09:58,365 --> 00:10:00,968
OUR RELATIONSHIP IS--

395
00:10:00,968 --> 00:10:01,802
IT'S JUST FALLING--

396
00:10:01,802 --> 00:10:02,970
WELL, IT HAS FELL APART,

397
00:10:02,970 --> 00:10:04,237
BASICALLY.

398
00:10:04,237 --> 00:10:05,272
LET ME JUST BE STRAIGHT UP.

399
00:10:05,272 --> 00:10:07,174
I THINK WE NEED A BREAK.

400
00:10:07,174 --> 00:10:09,076
UP UNTIL NOW, IT'S ALWAYS BEEN

401
00:10:09,076 --> 00:10:10,610
SCRAPPY SAYING HE'S DONE WITH

402
00:10:10,610 --> 00:10:12,713
THE RELATIONSHIP OR HE NEEDS

403
00:10:12,713 --> 00:10:15,582
A BREAK OR JUST MAKING UP SOME

404
00:10:15,582 --> 00:10:17,450
TYPE OF EXCUSE FOR THE WRONG

405
00:10:17,450 --> 00:10:18,952
THAT HE'S DONE, BUT THIS

406
00:10:18,952 --> 00:10:21,922
GO-AROUND, IT'S ME.

407
00:10:21,922 --> 00:10:23,590
I'VE HAD ENOUGH.

408
00:10:23,590 --> 00:10:25,025
ERICA IS DONE.

409
00:10:25,025 --> 00:10:26,760
THE MARRIAGE IS OFF.

410
00:10:26,760 --> 00:10:28,128
ENGAGEMENT: OFF.

411
00:10:28,128 --> 00:10:30,831
RELATIONSHIP: NULL AND VOID.

412
00:10:41,241 --> 00:10:42,710
YOU LOVE ME?

413
00:10:42,710 --> 00:10:43,443
DO FAT GIRLS LOVE

414
00:10:43,443 --> 00:10:45,112
CHOCOLATE CAKE?

415
00:10:45,112 --> 00:10:46,079
WHAT'S UP WITH ME AND YOU

416
00:10:46,079 --> 00:10:47,447
WATCHING THE TAPE OF JOSELINE?

417
00:10:47,447 --> 00:10:48,448
JOSELINE WAS TOUCHING

418
00:10:48,448 --> 00:10:49,482
HER [bleep].

419
00:10:49,482 --> 00:10:50,483
YOU SHOWED IT TO ME!

420
00:10:50,483 --> 00:10:52,352
NO, I DIDN'T.

421
00:10:52,352 --> 00:10:53,987
WHY YOU TALKING ABOUT ME

422
00:10:53,987 --> 00:10:55,055
WITH YOUR MAN?

423
00:10:55,055 --> 00:10:56,189
WHY IS MY MAN TALKING

424
00:10:56,189 --> 00:10:57,390
ABOUT ME TO YOU?

425
00:10:57,390 --> 00:10:58,058
THAT'S WHY.

426
00:10:58,058 --> 00:11:00,060
BITCH, GO SUCK SOME ASS[bleep].

427
00:11:11,872 --> 00:11:13,073
WHAT ARE WE DOING HERE?

428
00:11:13,073 --> 00:11:14,541
WHAT IS THIS?

429
00:11:14,541 --> 00:11:15,542
RIGHT.

430
00:11:15,542 --> 00:11:17,310
SHE'S GETTING HER NAILS DONE,

431
00:11:17,310 --> 00:11:19,780
AND I'M GETTING MY WHOO-HAH

432
00:11:19,780 --> 00:11:20,914
BEDAZZLED.

433
00:11:20,914 --> 00:11:22,315
[laughs]

434
00:11:22,315 --> 00:11:23,316
I'M HOPING THAT ALL

435
00:11:23,316 --> 00:11:24,551
THE FLASHING LIGHTS DOWN THERE

436
00:11:24,551 --> 00:11:26,086
AND STUFF MIGHT PERK UP A LITTLE

437
00:11:26,086 --> 00:11:28,521
BIT AND, YOU KNOW, INSPIRE SOME

438
00:11:28,521 --> 00:11:30,758
KIND OF FUNCTION OR SOMETHING,

439
00:11:30,758 --> 00:11:32,025
'CAUSE RIGHT NOW, I'M IN FULL

440
00:11:32,025 --> 00:11:33,894
WORK MODE, AND THAT'S ALL I SEE,

441
00:11:33,894 --> 00:11:34,995
AND I NEED HER TO WAKE UP.

442
00:11:34,995 --> 00:11:36,496
I WANT TO HAVE SOME FUN.

443
00:11:36,496 --> 00:11:37,865
IT DON'T EVEN LIKE PEOPLE.

444
00:11:37,865 --> 00:11:38,565
THAT'S RIDICULOUS.

445
00:11:38,565 --> 00:11:39,933
GIRL, I KNOW WHAT'S WRONG

446
00:11:39,933 --> 00:11:40,768
WITH HER.

447
00:11:40,768 --> 00:11:42,235
SHE'S STUCK ON THIS ONE MAN,

448
00:11:42,235 --> 00:11:42,903
AND THAT'S HER LITTLE

449
00:11:42,903 --> 00:11:44,838
KITTY CAT'S PROBLEM AS WELL.

450
00:11:44,838 --> 00:11:48,075
AW, THAT IS A PROBLEM.

451
00:11:48,075 --> 00:11:49,843
THIS ONE WOULD BE CUTE.

452
00:11:49,843 --> 00:11:51,344
LIPS.

453
00:11:51,344 --> 00:11:53,914
RED LIPS.

454
00:11:53,914 --> 00:11:54,581
NO.

455
00:11:54,581 --> 00:11:55,248
OKAY.

456
00:11:55,248 --> 00:11:55,916
NO.

457
00:11:55,916 --> 00:11:56,583
[laughter]

458
00:11:56,583 --> 00:11:58,085
WHAT?

459
00:11:58,085 --> 00:11:59,086
LOOK, LOOK, LOOK.

460
00:11:59,086 --> 00:12:00,320
DOLPHIN. WATER.

461
00:12:00,320 --> 00:12:01,321
THAT'S WHAT I NEED.

462
00:12:01,321 --> 00:12:02,622
THAT'S WHAT YOU NEED?

463
00:12:02,622 --> 00:12:03,290
THE DOLPHIN.

464
00:12:03,290 --> 00:12:03,957
YES.

465
00:12:03,957 --> 00:12:04,792
WHY DON'T YOU JUST GET A NICE

466
00:12:04,792 --> 00:12:05,893
BOTTLE OF LUBE?

467
00:12:05,893 --> 00:12:06,960
I REFUSE TO TAKE IT

468
00:12:06,960 --> 00:12:07,928
TO THE LUBE.

469
00:12:07,928 --> 00:12:08,595
WHY?

470
00:12:08,595 --> 00:12:09,429
I REFUSE TO TAKE IT TO THERE.

471
00:12:09,429 --> 00:12:10,097
WHY? IT'LL--

472
00:12:10,097 --> 00:12:12,465
THAT'S LIKE A MAN GOING

473
00:12:12,465 --> 00:12:15,368
AND USING A SAUSAGE PUMPER.

474
00:12:15,368 --> 00:12:16,036
WELL, YOU KNOW WHAT?

475
00:12:16,036 --> 00:12:16,837
I DON'T LIKE THAT,

476
00:12:16,837 --> 00:12:17,905
BUT I LIKE CREATIVE STUFF.

477
00:12:17,905 --> 00:12:19,907
LIKE, I LIKE, LIKE, POURING SALT

478
00:12:19,907 --> 00:12:20,573
AROUND THE BED.

479
00:12:20,573 --> 00:12:21,241
THIS IS WHAT I DO.

480
00:12:21,241 --> 00:12:21,909
WHAT?

481
00:12:21,909 --> 00:12:23,710
ARE YOU A [bleep]--WHAT?

482
00:12:23,710 --> 00:12:24,812
LISTEN, YOU GOT TO LET ME

483
00:12:24,812 --> 00:12:26,113
BE ME.

484
00:12:26,113 --> 00:12:27,280
WAIT, LET HER TELL THE STORY,

485
00:12:27,280 --> 00:12:28,115
'CAUSE I WANT TO HEAR THIS.

486
00:12:28,115 --> 00:12:30,117
WHAT?

487
00:12:32,719 --> 00:12:33,520
SO...

488
00:12:33,520 --> 00:12:35,455
YOU ARE A--I CAN'T.

489
00:12:35,455 --> 00:12:36,389
WHAT THE [bleep]?

490
00:12:36,389 --> 00:12:37,724
YOU KEEPING THAT MAN AWAY.

491
00:12:37,724 --> 00:12:38,391
THAT'S--THAT'S--

492
00:12:38,391 --> 00:12:39,827
YOU KEEPING YOUR DUDE AWAY

493
00:12:39,827 --> 00:12:41,228
WITH YOUR SALT.

494
00:12:41,228 --> 00:12:43,130
PROBABLY LOOKING AROUND.

495
00:12:43,130 --> 00:12:43,931
HE'S LIKE, "WHAT THE [bleep]

496
00:12:43,931 --> 00:12:45,833
WRONG WITH THIS CRAZY BITCH?"

497
00:12:45,833 --> 00:12:46,666
RIGHT BEFORE IT'S ABOUT TO GO

498
00:12:46,666 --> 00:12:48,836
DOWN, YOU MAKE SURE YOU GOT YOU

499
00:12:48,836 --> 00:12:51,471
SOME SALTS, AND YOU GO AROUND

500
00:12:51,471 --> 00:12:55,675
THE BED WITH THE SALT.

501
00:12:55,675 --> 00:12:56,543
AROUND THE BED.

502
00:12:56,543 --> 00:12:57,710
NOT ON THE PERSON.

503
00:12:57,710 --> 00:12:59,012
AND THAT IS SUPPOSED TO PROTECT

504
00:12:59,012 --> 00:13:00,848
YOU GUYS IN THE BED

505
00:13:00,848 --> 00:13:03,116
AND KEEP THE SEX DEMONS OUT.

506
00:13:03,116 --> 00:13:04,451
AND YOU CLEAN YOUR HOUSE WITH

507
00:13:04,451 --> 00:13:07,754
AMMONIA BEFORE THE SUN COME UP.

508
00:13:07,754 --> 00:13:08,856
[laughs]

509
00:13:08,856 --> 00:13:11,591
I'M SORRY.

510
00:13:11,591 --> 00:13:12,459
WHO TOLD YOU THIS?

511
00:13:12,459 --> 00:13:13,226
WAIT, WAIT, WAIT, THIS IS

512
00:13:13,226 --> 00:13:15,095
BEFORE THE MAN GETS UP?

513
00:13:15,095 --> 00:13:16,729
BEFORE SUNRISE.

514
00:13:16,729 --> 00:13:17,530
THAT MAKES HIM STAY WITH YOU.

515
00:13:17,530 --> 00:13:18,431
OH, MY GOD.

516
00:13:18,431 --> 00:13:19,099
REALLY?

517
00:13:19,099 --> 00:13:20,000
YEAH.

518
00:13:20,000 --> 00:13:20,868
YOU'RE TALKING ABOUT A ROOT

519
00:13:20,868 --> 00:13:21,501
ON [bleep].

520
00:13:21,501 --> 00:13:22,369
THAT'S WHAT'S WRONG WITH YOU.

521
00:13:22,369 --> 00:13:23,103
YOU TRYING TO PUT ROOTS

522
00:13:23,103 --> 00:13:24,137
AND [bleep] ON PEOPLE.

523
00:13:24,137 --> 00:13:25,238
I DO IT A LOT.

524
00:13:25,238 --> 00:13:26,073
I'M TELLING YOU.

525
00:13:26,073 --> 00:13:28,141
BUT IT AIN'T WORKING.

526
00:13:28,141 --> 00:13:29,642
IT'S DEFINITELY NOT WORKING.

527
00:13:29,642 --> 00:13:30,878
YOU SUPPOSED TO BE SNUGGLING.

528
00:13:30,878 --> 00:13:32,913
YOU CLEANING UP WITH PNEUMONIA.

529
00:13:32,913 --> 00:13:35,248
WELL, WHO YOU SNUGGLING WITH,

530
00:13:35,248 --> 00:13:36,249
DAMN IT?

531
00:13:36,249 --> 00:13:37,350
HOW'S THAT DATE?

532
00:13:37,350 --> 00:13:38,886
OKAY.

533
00:13:38,886 --> 00:13:39,786
THE DATE THAT YOU GUYS

534
00:13:39,786 --> 00:13:40,687
BEEN ON.

535
00:13:40,687 --> 00:13:42,455
DATE NIGHT WAS...

536
00:13:42,455 --> 00:13:43,556
DATE NIGHT WITH NIKKO.

537
00:13:43,556 --> 00:13:45,725
VERY NICE.

538
00:13:45,725 --> 00:13:46,393
YOU'RE ALL BLUSHING

539
00:13:46,393 --> 00:13:47,060
AND [bleep].

540
00:13:47,060 --> 00:13:48,561
THAT'S CUTE FOR YOU.

541
00:13:48,561 --> 00:13:50,530
THAT'S REAL CUTE.

542
00:13:50,530 --> 00:13:52,099
IT WAS REALLY CUTE, LIKE,

543
00:13:52,099 --> 00:13:53,800
BUT I JUST REALLY WANTED TO LET

544
00:13:53,800 --> 00:13:54,968
HIM KNOW, LIKE, I'M NOT TRYING

545
00:13:54,968 --> 00:13:56,703
TO RUSH INTO ANYTHING.

546
00:13:56,703 --> 00:13:57,437
I JUST GOT OUT OF SOME

547
00:13:57,437 --> 00:13:58,538
CRAZY [bleep].

548
00:13:58,538 --> 00:14:00,273
OF COURSE YOU DID.

549
00:14:00,273 --> 00:14:01,341
AND THE MAN THAT IS GOING

550
00:14:01,341 --> 00:14:03,676
TO BE WITH ME GOT TO STEP UP

551
00:14:03,676 --> 00:14:04,544
TO THE PLATE.

552
00:14:04,544 --> 00:14:06,113
WHAT HE LOOK LIKE?

553
00:14:06,113 --> 00:14:07,347
YOU'LL MEET HIM, AND THEN YOU

554
00:14:07,347 --> 00:14:08,615
CAN SEE FOR YOURSELF,

555
00:14:08,615 --> 00:14:11,084
AND PLEASE, K.MICHELLE,

556
00:14:11,084 --> 00:14:12,185
GIRL, CAN YOU BE ON YOUR

557
00:14:12,185 --> 00:14:13,153
BEST BEHAVIOR?

558
00:14:13,153 --> 00:14:15,155
YOU'RE NOT GONNA BE GOOD.

559
00:14:17,524 --> 00:14:20,527
[indistinct yelling]

560
00:14:24,297 --> 00:14:25,498
KARLIE HIT RASHEEDA UP

561
00:14:25,498 --> 00:14:26,466
AND ASKED HER TO GET ON THIS

562
00:14:26,466 --> 00:14:27,434
DIS TRACK.

563
00:14:27,434 --> 00:14:28,936
AFTER WATCHING K.MICHELLE TURN

564
00:14:28,936 --> 00:14:30,537
INTO THE PSYCHO BITCH BEFORE MY

565
00:14:30,537 --> 00:14:32,973
VERY EYES, I SAID, "YO, RASHEEDA

566
00:14:32,973 --> 00:14:34,174
SHOULD GET ON THE TRACK," SO I

567
00:14:34,174 --> 00:14:35,943
DECIDED TO HOLLER AT BENZINO.

568
00:14:35,943 --> 00:14:37,344
WHO BETTER TO TALK TO THAN THIS,

569
00:14:37,344 --> 00:14:39,980
BEING THAT'S KARLIE REDD'S EX?

570
00:14:39,980 --> 00:14:41,381
KARLIE HAD HIT HER UP AND TRIED

571
00:14:41,381 --> 00:14:42,115
TO GET HER TO GET ON

572
00:14:42,115 --> 00:14:43,150
A DIS RECORD AGAIN--

573
00:14:43,150 --> 00:14:43,816
KARLIE.

574
00:14:43,816 --> 00:14:45,818
SO PSYCHO, YOU KNOW

575
00:14:45,818 --> 00:14:46,486
WHAT I'M SAYING?

576
00:14:46,486 --> 00:14:47,154
SO WAIT A MINUTE.

577
00:14:47,154 --> 00:14:47,988
WAIT. WAIT A MINUTE.

578
00:14:47,988 --> 00:14:49,689
KARLIE HAS A DIS RECORD AGAINST

579
00:14:49,689 --> 00:14:51,524
K.MICHELLE AND WANTS RASHEEDA

580
00:14:51,524 --> 00:14:53,293
TO GET ON IT.

581
00:14:53,293 --> 00:14:55,828
HOW CAN I SAY THIS?

582
00:14:55,828 --> 00:14:57,497
CUCKOO BIRD.

583
00:14:57,497 --> 00:14:58,465
SO RUN FROM THAT.

584
00:14:58,465 --> 00:14:59,132
DIS RECORDS

585
00:14:59,132 --> 00:14:59,967
ARE KIND OF FUNNY.

586
00:14:59,967 --> 00:15:01,368
THEY CAN WORK FOR YOU, OR THEY

587
00:15:01,368 --> 00:15:02,335
CAN KIND OF, LIKE, KILL YOU,

588
00:15:02,335 --> 00:15:03,070
YOU KNOW WHAT I'M SAYING?

589
00:15:03,070 --> 00:15:05,973
FINANCIALLY, DIS RECORD--

590
00:15:05,973 --> 00:15:07,707
A COUPLE OF DOLLARS--

591
00:15:07,707 --> 00:15:08,808
FINANCIALLY, IT'LL HELP,

592
00:15:08,808 --> 00:15:09,476
YOU KNOW?

593
00:15:09,476 --> 00:15:11,078
OH, WHAT'S THE MATTER?

594
00:15:11,078 --> 00:15:11,744
[sighs]

595
00:15:11,744 --> 00:15:13,413
BOY, WHAT AIN'T THE MATTER?

596
00:15:13,413 --> 00:15:14,281
YOU AND RASHEEDA, MAN--

597
00:15:14,281 --> 00:15:15,282
Y'ALL SEEM LIKE THE PERFECT

598
00:15:15,282 --> 00:15:15,983
COUPLE, LIKE--

599
00:15:15,983 --> 00:15:16,683
BUT YOU GOT TO BE A TEAM

600
00:15:16,683 --> 00:15:17,617
PLAYER TOO.

601
00:15:17,617 --> 00:15:18,318
OH, OF COURSE.

602
00:15:18,318 --> 00:15:19,519
YOU GOT TO UNDERSTAND,

603
00:15:19,519 --> 00:15:21,254
YOU KNOW, WHEN THINGS AIN'T

604
00:15:21,254 --> 00:15:22,222
RIGHT, YOU KNOW?

605
00:15:22,222 --> 00:15:23,890
I JUST WENT THROUGH A LITTLE BIT

606
00:15:23,890 --> 00:15:25,192
WITH MY BROTHER HAVING

607
00:15:25,192 --> 00:15:26,359
A HEART TRANSPLANT.

608
00:15:26,359 --> 00:15:27,427
WOW.

609
00:15:27,427 --> 00:15:29,396
MY GRANDKIDS, MY SON--

610
00:15:29,396 --> 00:15:31,198
THERE'S WARRANTS ON HIM

611
00:15:31,198 --> 00:15:33,366
ON THE HOLIDAYS, AND...

612
00:15:33,366 --> 00:15:34,234
IT'S A SUPER BIG STRAIN

613
00:15:34,234 --> 00:15:35,468
ON MY RELATIONSHIP RIGHT NOW.

614
00:15:35,468 --> 00:15:36,269
IT'S ACTUALLY GOT ME

615
00:15:36,269 --> 00:15:37,170
GOING CRAZY.

616
00:15:37,170 --> 00:15:38,605
WE'VE BEEN IN A FEW ARGUMENTS,

617
00:15:38,605 --> 00:15:39,839
DISAGREEING, BUSINESS AIN'T

618
00:15:39,839 --> 00:15:41,241
BEEN RIGHT, AND WE JUST KIND OF

619
00:15:41,241 --> 00:15:42,509
BUTTING HEADS RIGHT NOW,

620
00:15:42,509 --> 00:15:44,044
BUT AGAIN, I HAVE TO MAKE SURE

621
00:15:44,044 --> 00:15:45,478
I HANDLE MY BUSINESS, SO I HAVE

622
00:15:45,478 --> 00:15:46,713
TO TALK TO HER EVEN WHEN

623
00:15:46,713 --> 00:15:48,248
I DON'T WANT TO TALK TO HER.

624
00:15:48,248 --> 00:15:48,915
HOW LONG Y'ALL BEEN

625
00:15:48,915 --> 00:15:50,083
TOGETHER NOW?

626
00:15:50,083 --> 00:15:51,384
MAN, WE BEEN TOGETHER

627
00:15:51,384 --> 00:15:52,452
16, SO...

628
00:15:52,452 --> 00:15:54,021
16.

629
00:15:54,021 --> 00:15:56,223
WHOO, MAN, THAT'S--

630
00:15:56,223 --> 00:15:57,490
THAT'S A LIFETIME.

631
00:15:57,490 --> 00:15:59,159
WHAT ARE YOU GONNA DO?

632
00:15:59,159 --> 00:15:59,826
THAT'S THE QUESTION.

633
00:15:59,826 --> 00:16:00,727
I MEAN, WHERE DO YOU GO?

634
00:16:00,727 --> 00:16:02,629
I MEAN, Y'ALL COULD KEEP RIDING

635
00:16:02,629 --> 00:16:04,331
THAT LANE, AND Y'ALL

636
00:16:04,331 --> 00:16:06,166
COULD TALK WHILE Y'ALL RIDING,

637
00:16:06,166 --> 00:16:06,933
OR Y'ALL GONNA FIGHT,

638
00:16:06,933 --> 00:16:08,235
AND Y'ALL GONNA CRASH.

639
00:16:08,235 --> 00:16:09,502
I MEAN, I'MA TALK TO HER,

640
00:16:09,502 --> 00:16:10,370
BUT AT THE SAME TIME, I WANT TO

641
00:16:10,370 --> 00:16:11,438
TALK TO HER WHEN I FEEL

642
00:16:11,438 --> 00:16:13,073
LIKE SHE GONNA LISTEN.

643
00:16:13,073 --> 00:16:14,141
YOU GET WHAT I'M SAYING?

644
00:16:14,141 --> 00:16:15,942
WELL, LOOK, MAN, YOU KNOW,

645
00:16:15,942 --> 00:16:16,943
I'M ALWAYS THERE FOR YOU, KIRK,

646
00:16:16,943 --> 00:16:17,877
MAN, YOU KNOW WHAT I'M SAYING?

647
00:16:17,877 --> 00:16:18,845
ANYTIME YOU WANT TO COME OUT TO

648
00:16:18,845 --> 00:16:20,147
THE CRIB, YOU THINK YOU NEED--

649
00:16:20,147 --> 00:16:21,248
YOU KNOW, JUST LIKE TO GET OUT

650
00:16:21,248 --> 00:16:22,049
OR SOMETHING, YOU KNOW WHAT

651
00:16:22,049 --> 00:16:23,383
I MEAN, YOU COME ON OUT,

652
00:16:23,383 --> 00:16:24,384
YOU KNOW WHAT I'M SAYING?

653
00:16:24,384 --> 00:16:25,152
OR WE COULD ALWAYS COME OUT

654
00:16:25,152 --> 00:16:25,852
HERE, AND I CAN PUT IT ON,

655
00:16:25,852 --> 00:16:27,487
'CAUSE YOU DONE KNOW, BEFORE

656
00:16:27,487 --> 00:16:28,455
THIS WHOLE RAP THING, I WAS

657
00:16:28,455 --> 00:16:30,457
GONNA TRY OUT FOR THE CELTICS.

658
00:16:32,692 --> 00:16:35,295
* TONIGHT

659
00:16:35,295 --> 00:16:37,730
♪ GIRL

660
00:16:37,730 --> 00:16:42,535
♪ I'LL SHOW YOU HOW I FEEL ♪

661
00:16:44,071 --> 00:16:45,872
OH, STEVIE.

662
00:16:45,872 --> 00:16:47,307
HEY. HEY.

663
00:16:47,307 --> 00:16:48,308
IT'S BEEN A YEAR SINCE I MET

664
00:16:48,308 --> 00:16:49,942
JOSELINE, AND I TOLD HER,

665
00:16:49,942 --> 00:16:51,078
IF SHE FOLLOW MY LEAD, I'LL MAKE

666
00:16:51,078 --> 00:16:53,113
ALL HER DREAMS COME TRUE.

667
00:16:53,113 --> 00:16:53,980
HOW YOU FEELING, BABY?

668
00:16:53,980 --> 00:16:55,782
AND TODAY, IT'S HAPPENING.

669
00:16:55,782 --> 00:16:57,284
WE SIGNING A DEAL WITH A MAJOR

670
00:16:57,284 --> 00:16:58,918
INTERNATIONAL LABEL.

671
00:16:58,918 --> 00:16:59,752
YOU GOT A BETTER DEAL THAN A LOT

672
00:16:59,752 --> 00:17:00,887
OF CATS THAT'S BEEN IN THE GAME

673
00:17:00,887 --> 00:17:01,921
A LONG TIME.

674
00:17:01,921 --> 00:17:02,889
I HAD YOUR HELP...

675
00:17:02,889 --> 00:17:03,556
YEAH.

676
00:17:03,556 --> 00:17:04,224
A LITTLE BIT.

677
00:17:04,224 --> 00:17:04,891
WHAT?

678
00:17:04,891 --> 00:17:06,593
I GET A LITTLE BIT OF CREDIT?

679
00:17:06,593 --> 00:17:07,927
EVERYTHING IS POPPING RIGHT NOW.

680
00:17:07,927 --> 00:17:09,229
WE HAPPY.

681
00:17:09,229 --> 00:17:10,463
LET'S CELEBRATE THAT,

682
00:17:10,463 --> 00:17:11,431
YOU KNOW WHAT I'M SAYING?

683
00:17:11,431 --> 00:17:12,699
THAT'S--I'M HAPPY.

684
00:17:12,699 --> 00:17:14,167
IT'S A WAY--IT'S A WAY

685
00:17:14,167 --> 00:17:15,335
THAT I COULD MAKE A LIVING

686
00:17:15,335 --> 00:17:16,002
TO TAKE CARE OF ME

687
00:17:16,002 --> 00:17:16,703
AND MY FAMILY.

688
00:17:16,703 --> 00:17:18,205
FOREVER.

689
00:17:18,205 --> 00:17:19,339
SO WHAT'S THE PROBLEM?

690
00:17:19,339 --> 00:17:20,707
YOU ARE THE PROBLEM.

691
00:17:20,707 --> 00:17:21,374
HERE WE GO.

692
00:17:21,374 --> 00:17:22,342
I APPRECIATE YOU FOR WHO--

693
00:17:22,342 --> 00:17:23,576
HERE WE GO ONCE AGAIN.

694
00:17:23,576 --> 00:17:24,477
WHY YOU GET SO UPSET

695
00:17:24,477 --> 00:17:25,212
WHEN I SPEAK THE TRUTH?

696
00:17:25,212 --> 00:17:26,113
BECAUSE IT'S LIKE, I BROUGHT

697
00:17:26,113 --> 00:17:28,415
YOU FROM A LONG WAY IN A SHORT

698
00:17:28,415 --> 00:17:29,149
TIME.

699
00:17:29,149 --> 00:17:30,117
PEOPLE DON'T GET--

700
00:17:30,117 --> 00:17:30,750
SO WHAT?

701
00:17:30,750 --> 00:17:31,584
THAT'S NOT GOOD ENOUGH FOR ME.

702
00:17:31,584 --> 00:17:32,619
SO IF THIS IS NOT GOOD ENOUGH

703
00:17:32,619 --> 00:17:33,320
FOR YOU, THEN I DON'T KNOW

704
00:17:33,320 --> 00:17:33,986
WHAT IT IS.

705
00:17:33,986 --> 00:17:34,654
I JUST WANT TO ENJOY

706
00:17:34,654 --> 00:17:35,322
THIS MOMENT.

707
00:17:35,322 --> 00:17:37,124
YOU KNOW, YOU NEVER SATISFIED.

708
00:17:37,124 --> 00:17:37,857
NO.

709
00:17:37,857 --> 00:17:38,525
NEVER.

710
00:17:38,525 --> 00:17:39,359
I'M NOT. NEVER.

711
00:17:39,359 --> 00:17:40,193
YOU KNOW WHY?

712
00:17:40,193 --> 00:17:41,194
LOOK AT ME.

713
00:17:41,194 --> 00:17:43,263
I WANT YOU TO LOVE ME LIKE YOU

714
00:17:43,263 --> 00:17:44,964
NEED TO LOVE ME AND TREAT ME

715
00:17:44,964 --> 00:17:45,898
LIKE YOU NEED TO TREAT ME.

716
00:17:45,898 --> 00:17:47,500
LOVE?

717
00:17:47,500 --> 00:17:49,202
THIS IS WHAT I EQUAL LOVE TO,

718
00:17:49,202 --> 00:17:50,470
RIGHT HERE, YOU KNOW

719
00:17:50,470 --> 00:17:51,704
WHAT I'M SAYING?

720
00:17:51,704 --> 00:17:52,372
WE GETTING THIS--

721
00:17:52,372 --> 00:17:54,241
LOVE IS NOT MONEY.

722
00:17:54,241 --> 00:17:55,475
THE MORE MONEY YOU MAKE ME,

723
00:17:55,475 --> 00:17:56,976
THE MORE FAMOUS YOU MAKE ME,

724
00:17:56,976 --> 00:17:58,511
THE MORE YOU DO FOR ME,

725
00:17:58,511 --> 00:18:00,147
IS THE MORE YOU GET AWAY FROM

726
00:18:00,147 --> 00:18:01,481
ME, SO REALLY, YOU DOING ALL

727
00:18:01,481 --> 00:18:03,150
OF THIS FOR ME, AND I'MA END UP

728
00:18:03,150 --> 00:18:04,251
BEING WITH ANOTHER MAN AND--

729
00:18:04,251 --> 00:18:05,352
MAYBE I'M NOT THAT GUY.

730
00:18:05,352 --> 00:18:07,720
LISTEN, I DON'T WANT TO FALL.

731
00:18:07,720 --> 00:18:09,189
IS THAT WHAT YOU'RE DOING TO ME?

732
00:18:09,189 --> 00:18:10,157
I THOUGHT YOU WAS HAPPY

733
00:18:10,157 --> 00:18:10,790
WITH ME.

734
00:18:10,790 --> 00:18:12,392
YOU GOT TO DO BETTER.

735
00:18:12,392 --> 00:18:13,059
WHAT AM I DOING WRONG?

736
00:18:13,059 --> 00:18:14,627
YOU GOT TO BE A MAN.

737
00:18:14,627 --> 00:18:15,595
A MAN?

738
00:18:15,595 --> 00:18:17,630
LISTEN, "MAN" DOESN'T CONSIST

739
00:18:17,630 --> 00:18:19,366
OF YOU GOING AND TALK TO YOUR

740
00:18:19,366 --> 00:18:20,200
HOMEBOY, BEING SINGLE,

741
00:18:20,200 --> 00:18:21,468
AND CHECKING HIM FOR ME.

742
00:18:21,468 --> 00:18:24,271
"MAN" DOESN'T CONSIST OF GIVING

743
00:18:24,271 --> 00:18:25,238
ME THE BEEFCAKE.

744
00:18:25,238 --> 00:18:26,773
YOU KNOW WHAT MANS CONSIST OF?

745
00:18:26,773 --> 00:18:28,975
WHEN WE'RE BOTH MESSED UP, GOING

746
00:18:28,975 --> 00:18:31,544
THROUGH THINGS, STRESSED OUT,

747
00:18:31,544 --> 00:18:33,180
NO MONEY, JUST STRUGGLING, AND

748
00:18:33,180 --> 00:18:34,547
WE STILL TOGETHER, AND WE STILL

749
00:18:34,547 --> 00:18:36,283
UNDERSTAND, AND WE DON'T FIGHT,

750
00:18:36,283 --> 00:18:38,718
AND WE STILL SEE EYE TO EYE.

751
00:18:38,718 --> 00:18:40,353
THAT'S WHAT A MAN CONSIST OF.

752
00:18:40,353 --> 00:18:41,554
BE A MAN, AND LOVE ME

753
00:18:41,554 --> 00:18:43,190
LIKE YOU'RE SUPPOSED TO LOVE ME.

754
00:18:43,190 --> 00:18:44,557
THAT'S WHAT YOU NEED TO DO.

755
00:18:44,557 --> 00:18:45,558
THAT'S JUST A START.

756
00:18:45,558 --> 00:18:48,861
THEN WE GONNA GO HARD.

757
00:18:48,861 --> 00:18:51,864
YOU LOVE ME?

758
00:18:51,864 --> 00:18:52,665
DO FAT GIRLS LOVE

759
00:18:52,665 --> 00:18:55,502
CHOCOLATE CAKE?

760
00:18:55,502 --> 00:18:57,570
[laughs]

761
00:18:57,570 --> 00:18:58,738
[bleep].

762
00:18:58,738 --> 00:19:00,807
I'LL DRINK TO THAT.

763
00:19:00,807 --> 00:19:02,475
WHAT ARE YOU GONNA DO?

764
00:19:02,475 --> 00:19:03,743
THIS IS REAL.

765
00:19:03,743 --> 00:19:04,677
LET ME SEE IT.

766
00:19:04,677 --> 00:19:06,078
MY ASS IS REAL.

767
00:19:06,078 --> 00:19:09,081
IT DON'T DO NOTHING BUT SHAKE.

768
00:19:09,081 --> 00:19:10,317
DON'T BE SO QUICK TO SHELL

769
00:19:10,317 --> 00:19:11,484
OUT TENS AND THOUSANDS OF

770
00:19:11,484 --> 00:19:13,720
DOLLARS WHEN YOU NEED TO BE ALSO

771
00:19:13,720 --> 00:19:15,255
SECURING OUR FUTURE FOR LATER.

772
00:19:15,255 --> 00:19:17,657
I THINK I'M PREGNANT.

773
00:19:17,657 --> 00:19:19,659
WHOO!

774
00:19:25,632 --> 00:19:26,866
* BEING MYSELF

775
00:19:26,866 --> 00:19:27,934
♪ DON'T BE ME ♪

776
00:19:27,934 --> 00:19:29,101
♪ 'CAUSE EVERYTHING ABOUT ME ♪

777
00:19:29,101 --> 00:19:30,370
♪ AIN'T THAT LOVELY ♪

778
00:19:30,370 --> 00:19:31,238
♪ EVERYTHING ABOUT ME

779
00:19:31,238 --> 00:19:32,639
LAST YEAR, WHEN I STARTED

780
00:19:32,639 --> 00:19:34,574
LISTENING TO CHE' MACK'S DEMOS,

781
00:19:34,574 --> 00:19:35,808
I WAS ALMOST READY TO START

782
00:19:35,808 --> 00:19:36,576
WORKING WITH HER,

783
00:19:36,576 --> 00:19:38,545
BUT THEN SHE DISAPPEARED.

784
00:19:38,545 --> 00:19:40,780
AND LOOK WHAT THE WIND BLEW IN.

785
00:19:40,780 --> 00:19:42,315
HI, STEVIE.

786
00:19:42,315 --> 00:19:43,115
THEN WHEN I GOT THAT CALL

787
00:19:43,115 --> 00:19:44,617
FROM HER LAST WEEK, I'M LIKE,

788
00:19:44,617 --> 00:19:45,685
"COME ON THROUGH THE STUDIO.

789
00:19:45,685 --> 00:19:47,019
MY DOOR'S ALWAYS OPEN

790
00:19:47,019 --> 00:19:47,954
FOR BUSINESS."

791
00:19:47,954 --> 00:19:48,921
ARE YOU HAPPY WHERE YOU AT RIGHT

792
00:19:48,921 --> 00:19:50,257
NOW AS FAR AS YOUR MUSIC AND

793
00:19:50,257 --> 00:19:51,991
EVERYTHING, OR DO YOU THINK THAT

794
00:19:51,991 --> 00:19:53,860
YOU CAN USE A LITTLE ASSISTANCE?

795
00:19:53,860 --> 00:19:54,827
I CAN USE A LITTLE

796
00:19:54,827 --> 00:19:58,398
ASSISTANCE BUT NOT IF YOU GONNA

797
00:19:58,398 --> 00:20:00,132
BE CONTINUING, LIKE--

798
00:20:00,132 --> 00:20:01,534
I FEEL LIKE--PERSONALLY, I FEEL

799
00:20:01,534 --> 00:20:03,436
LIKE YOU USE ME AS A CRUTCH.

800
00:20:03,436 --> 00:20:05,305
I THINK THAT YOU WAS MAD AT YOUR

801
00:20:05,305 --> 00:20:08,140
GIRLFRIEND, JOSELINE, AND YOU

802
00:20:08,140 --> 00:20:10,977
USED ME TO GET BACK, AND THEN--

803
00:20:10,977 --> 00:20:12,111
AND THAT WAS IT.

804
00:20:12,111 --> 00:20:13,780
I'M NOT TO BE USED

805
00:20:13,780 --> 00:20:14,581
OR ABUSED LIKE--

806
00:20:14,581 --> 00:20:15,482
I'M NOT TRYING TO USE

807
00:20:15,482 --> 00:20:16,148
AND ABUSE YOU.

808
00:20:16,148 --> 00:20:17,183
I WANT YOU ON THE TEAM.

809
00:20:17,183 --> 00:20:17,850
I WOULD NEVER--

810
00:20:17,850 --> 00:20:19,218
NO, NO, NO, LET'S START

811
00:20:19,218 --> 00:20:20,787
ANOTHER PROJECT.

812
00:20:20,787 --> 00:20:22,522
LIKE, LET'S START A WHOLE--

813
00:20:22,522 --> 00:20:23,556
LET'S START A WHOLE--

814
00:20:23,556 --> 00:20:25,124
ALL RIGHT, I GOT A IDEA.

815
00:20:25,124 --> 00:20:26,726
'CAUSE YOUR LANE IS NOT

816
00:20:26,726 --> 00:20:27,460
THE LANE THAT I'M TRYING

817
00:20:27,460 --> 00:20:28,595
TO BE A PART OF.

818
00:20:28,595 --> 00:20:32,865
WE NEED TO MAKE SOME REAL SONGS.

819
00:20:32,865 --> 00:20:34,934
WHAT ARE REAL SONGS?

820
00:20:34,934 --> 00:20:35,602
YEAH.

821
00:20:35,602 --> 00:20:36,603
EVERYDAY LIFE, LIKE HOW IT

822
00:20:36,603 --> 00:20:37,604
USED TO BE BACK IN THE DAY.

823
00:20:37,604 --> 00:20:38,638
OKAY.

824
00:20:38,638 --> 00:20:39,506
THE STRUGGLE.

825
00:20:39,506 --> 00:20:40,172
THE STRUGGLE?

826
00:20:40,172 --> 00:20:40,907
YEAH.

827
00:20:40,907 --> 00:20:41,674
BUT EVERYBODY DON'T LIVE

828
00:20:41,674 --> 00:20:42,342
IN A STRUGGLE.

829
00:20:42,342 --> 00:20:43,009
PEOPLE WANT TO DANCE

830
00:20:43,009 --> 00:20:43,843
AND HAVE FUN TOO.

831
00:20:43,843 --> 00:20:45,812
BUT I WANT THAT SOUND.

832
00:20:45,812 --> 00:20:47,146
I DON'T WANT THE DING-DING,

833
00:20:47,146 --> 00:20:48,615
THE PING-PING, THE CHING-CHING.

834
00:20:48,615 --> 00:20:49,582
I DON'T WANT WHAT EVERYBODY

835
00:20:49,582 --> 00:20:51,117
IS USED TO FOR RIGHT NOW.

836
00:20:51,117 --> 00:20:52,985
I WANT THAT BACK-IN-THE-DAY.

837
00:20:52,985 --> 00:20:53,653
I DON'T CARE ABOUT--

838
00:20:53,653 --> 00:20:55,588
IT'S CALLED CLASSIC RECORDS.

839
00:20:55,588 --> 00:20:56,255
THAT'S WHAT I WANT.

840
00:20:56,255 --> 00:20:57,056
YEAH?

841
00:20:57,056 --> 00:21:00,460
SO WHERE IS IT?

842
00:21:00,460 --> 00:21:01,794
YO, YO, YO, HOLD UP, SHORTY.

843
00:21:01,794 --> 00:21:03,363
RELAX A LITTLE BIT.

844
00:21:03,363 --> 00:21:04,163
YOU KNOW, I BEEN WALKING THIS

845
00:21:04,163 --> 00:21:06,032
ROAD FOR 18 JOINTS, YOU KNOW?

846
00:21:06,032 --> 00:21:07,867
YOU GOT ONE SONG OUT?

847
00:21:07,867 --> 00:21:09,101
IF ANYBODY KNOW HOW TO RUN THIS

848
00:21:09,101 --> 00:21:11,338
SHOW, THAT'S ME, THE GOOD GUY.

849
00:21:11,338 --> 00:21:12,705
TONE IT ON DOWN.

850
00:21:12,705 --> 00:21:14,040
OH, MY GOODNESS.

851
00:21:14,040 --> 00:21:15,041
TONE IT ON DOWN AND GET

852
00:21:15,041 --> 00:21:16,008
TO UNDERSTAND THIS:

853
00:21:16,008 --> 00:21:17,209
I MAKE HITS IN MY SLEEP,

854
00:21:17,209 --> 00:21:18,645
YOU KNOW WHAT I'M SAYING?

855
00:21:18,645 --> 00:21:19,346
I LIKE YOUR ATTITUDE,

856
00:21:19,346 --> 00:21:20,046
YOU KNOW WHAT I'M SAYING?

857
00:21:20,046 --> 00:21:20,880
BUT YOU NEED TO CHANNEL THAT

858
00:21:20,880 --> 00:21:22,214
TO WHERE IT NEED TO BE.

859
00:21:22,214 --> 00:21:24,050
GET YOUR MIND RIGHT.

860
00:21:24,050 --> 00:21:25,652
GET YOUR BODY ALL THE WAY RIGHT.

861
00:21:25,652 --> 00:21:26,986
MY BODY IS ALL THE WAY RIGHT.

862
00:21:26,986 --> 00:21:27,820
WHAT YOU MEAN?

863
00:21:27,820 --> 00:21:29,356
YOU ABOUT 80--LET ME SEE.

864
00:21:29,356 --> 00:21:29,989
WHAT YOU MEAN?

865
00:21:29,989 --> 00:21:30,790
YOU ABOUT 80%.

866
00:21:30,790 --> 00:21:32,024
ALL RIGHT, WELL, OKAY.

867
00:21:32,024 --> 00:21:33,460
BUT THIS IS REAL.

868
00:21:33,460 --> 00:21:35,027
LET ME SEE.

869
00:21:35,027 --> 00:21:36,563
MY ASS IS REAL.

870
00:21:36,563 --> 00:21:39,131
IT DON'T DO NOTHING BUT SHAKE.

871
00:21:39,131 --> 00:21:39,799
YOU NEED TO GET BACK

872
00:21:39,799 --> 00:21:40,767
TO THE REAL.

873
00:21:40,767 --> 00:21:41,901
IT'S REAL PEOPLE OUT HERE.

874
00:21:41,901 --> 00:21:42,669
YOU'RE DISTRACTING ME.

875
00:21:42,669 --> 00:21:43,670
YEAH, I'M DISTRACTING.

876
00:21:43,670 --> 00:21:44,371
BUSINESS.

877
00:21:44,371 --> 00:21:45,104
WE HANDLING BUSINESS.

878
00:21:45,104 --> 00:21:45,772
ALL RIGHT, GOOD.

879
00:21:45,772 --> 00:21:47,206
I'M TELLING YOU, YOUR MOUTH,

880
00:21:47,206 --> 00:21:48,240
YOU KNOW WHAT I'M SAYING,

881
00:21:48,240 --> 00:21:49,642
IT'S GONNA GET YOU IN TROUBLE.

882
00:21:49,642 --> 00:21:50,610
LOOK, WE'LL HAVE A SIGN.

883
00:21:50,610 --> 00:21:52,278
WE'LL HAVE A--WHEN I'M TALKING

884
00:21:52,278 --> 00:21:53,613
TOO MUCH AND YOU KNOW I'M FEISTY

885
00:21:53,613 --> 00:21:55,782
AND ALL THAT, JUST GIVE ME THE--

886
00:21:55,782 --> 00:21:56,816
YOU GONNA KNOW HOW MY EYES

887
00:21:56,816 --> 00:21:57,984
LOOK WHEN THEY LOOK AT YOU.

888
00:21:57,984 --> 00:21:59,085
WHAT?

889
00:21:59,085 --> 00:22:01,087
YOU'LL FIGURE IT OUT.

890
00:22:08,661 --> 00:22:09,996
[dog barking]

891
00:22:09,996 --> 00:22:11,230
WITH EVERYTHING THAT'S BEEN

892
00:22:11,230 --> 00:22:12,131
GOING ON WITH MY BROTHER

893
00:22:12,131 --> 00:22:13,232
AND KIDS, I FEEL LIKE,

894
00:22:13,232 --> 00:22:14,300
FINANCIALLY, MY BACK IS JUST

895
00:22:14,300 --> 00:22:16,669
UP AGAINST THE WALL.

896
00:22:16,669 --> 00:22:17,970
I KNOW THAT ZINO SAID MESSING

897
00:22:17,970 --> 00:22:19,906
WITH KARLIE IS A BAD IDEA, BUT

898
00:22:19,906 --> 00:22:21,408
I GOT TO COME UP WITH SOMETHING.

899
00:22:21,408 --> 00:22:22,542
I'M NOT TELLING YOU DO SOMETHING

900
00:22:22,542 --> 00:22:24,010
YOU DON'T WANT TO DO, BUT JUST

901
00:22:24,010 --> 00:22:25,812
CONSIDER IT, BECAUSE--

902
00:22:25,812 --> 00:22:26,479
WELL, FIRST OF ALL,

903
00:22:26,479 --> 00:22:27,714
LET ME SAY THIS.

904
00:22:27,714 --> 00:22:29,281
I'M NOT CONSIDERING NOTHING,

905
00:22:29,281 --> 00:22:30,550
BECAUSE YOU KNOW I'M ABOUT

906
00:22:30,550 --> 00:22:31,518
BUSINESS, AND YOU

907
00:22:31,518 --> 00:22:32,251
ABOUT BUSINESS.

908
00:22:32,251 --> 00:22:33,453
JUMPING ON THE KARLIE RECORD--

909
00:22:33,453 --> 00:22:34,721
I MEAN, NO DISRESPECT,

910
00:22:34,721 --> 00:22:35,555
BUT THAT'S NOT SOMETHING

911
00:22:35,555 --> 00:22:36,556
I'M JUST LIKE, "[bleep], I NEED

912
00:22:36,556 --> 00:22:37,424
TO HURRY UP AND GET THIS VERSE.

913
00:22:37,424 --> 00:22:38,290
I NEED TO DO THIS."

914
00:22:38,290 --> 00:22:39,125
THAT'S NOT SOMETHING

915
00:22:39,125 --> 00:22:39,992
I'M WORKING TO DO.

916
00:22:39,992 --> 00:22:40,860
BUSINESS-WISE, I MEAN,

917
00:22:40,860 --> 00:22:41,594
THINK ABOUT IT.

918
00:22:41,594 --> 00:22:42,929
DIS RECORDS DO MAKE MONEY.

919
00:22:42,929 --> 00:22:44,497
ALL THE PROBLEMS I GOT GOING ON,

920
00:22:44,497 --> 00:22:45,432
WHY NOT?

921
00:22:45,432 --> 00:22:46,332
IF IT MAKES DOLLARS,

922
00:22:46,332 --> 00:22:47,233
IT MAKES SENSE.

923
00:22:47,233 --> 00:22:48,535
YOU KNOW WHAT, FINANCIALLY,

924
00:22:48,535 --> 00:22:51,103
IS AN AMAZING BUSINESS MOVE?

925
00:22:51,103 --> 00:22:52,572
IMBOSSY.COM.

926
00:22:52,572 --> 00:22:54,441
I HAVE A SUCCESSFUL APPAREL

927
00:22:54,441 --> 00:22:55,975
AND ACCESSORY ONLINE STORE

928
00:22:55,975 --> 00:22:57,744
CALLED IMBOSSY.COM THAT IS DOING

929
00:22:57,744 --> 00:22:59,145
EXTREMELY WELL ON THE INTERNET

930
00:22:59,145 --> 00:23:00,447
RIGHT NOW, BUT FOR THE LAST

931
00:23:00,447 --> 00:23:01,514
COUPLE MONTHS, I BEEN TRYING

932
00:23:01,514 --> 00:23:02,649
TO TALK TO KIRK ABOUT OPENING

933
00:23:02,649 --> 00:23:04,451
A PHYSICAL LOCATION IN ATLANTA,

934
00:23:04,451 --> 00:23:05,284
AND FOR SOME REASON,

935
00:23:05,284 --> 00:23:06,719
HE AIN'T IN AGREEANCE.

936
00:23:06,719 --> 00:23:08,220
IT MAKES SHORT-TERM, LONG-TERM

937
00:23:08,220 --> 00:23:09,589
MONEY ALREADY BY ITSELF.

938
00:23:09,589 --> 00:23:10,457
BUT YOU KNOW WHY

939
00:23:10,457 --> 00:23:11,157
I'M HESITANT.

940
00:23:11,157 --> 00:23:12,091
BECAUSE MOVING I'M BOSSY

941
00:23:12,091 --> 00:23:12,759
OUT HERE?

942
00:23:12,759 --> 00:23:14,594
THAT COMES WITH EMPLOYEES.

943
00:23:14,594 --> 00:23:16,128
THAT COMES WITH LIGHTS.

944
00:23:16,128 --> 00:23:17,497
THAT COMES WITH INSURANCE.

945
00:23:17,497 --> 00:23:18,264
IT COMES WITH A LOT

946
00:23:18,264 --> 00:23:19,131
OF LIABILITY.

947
00:23:19,131 --> 00:23:21,468
YOU GOT TO UNDERSTAND, I'M NOT

948
00:23:21,468 --> 00:23:22,735
GONNA SLEEP WELL, GOING TO GET A

949
00:23:22,735 --> 00:23:24,103
BUSINESS AND DOING THIS AND THAT

950
00:23:24,103 --> 00:23:26,172
WHILE EVERYBODY ELSE IS, YOU

951
00:23:26,172 --> 00:23:27,474
KNOW, AT A KNEE.

952
00:23:27,474 --> 00:23:28,475
OF COURSE YOU WOULD WANT TO

953
00:23:28,475 --> 00:23:29,476
STEP IN AND HELP YOUR BROTHER.

954
00:23:29,476 --> 00:23:30,543
HE RAISED YOU.

955
00:23:30,543 --> 00:23:31,744
THAT'S YOUR BIG BROTHER.

956
00:23:31,744 --> 00:23:32,912
YOU WANT TO HELP HIS KIDS.

957
00:23:32,912 --> 00:23:34,146
BUT MY THING IS, DON'T BE

958
00:23:34,146 --> 00:23:35,381
SO QUICK TO SHELL OUT TENS

959
00:23:35,381 --> 00:23:37,249
AND THOUSANDS OF DOLLARS WHEN

960
00:23:37,249 --> 00:23:39,118
YOU NEED TO BE ALSO SECURING

961
00:23:39,118 --> 00:23:40,853
OUR FUTURE FOR LATER.

962
00:23:40,853 --> 00:23:43,055
RIGHT NOW NOT THE TIME.

963
00:23:43,055 --> 00:23:43,956
I JUST LOOK AT IT, LIKE,

964
00:23:43,956 --> 00:23:45,391
YOU KNOW, LET US NOT MISS OUT

965
00:23:45,391 --> 00:23:46,959
ON SOMETHING THAT'S SO GREAT

966
00:23:46,959 --> 00:23:48,495
FINANCIALLY FOR US.

967
00:23:48,495 --> 00:23:50,830
LIKE I SAID, BUSINESS-WISE,

968
00:23:50,830 --> 00:23:52,031
THIS RECORD COULD BRING

969
00:23:52,031 --> 00:23:53,132
IN REVENUE.

970
00:23:53,132 --> 00:23:53,800
THIS IS CALLED

971
00:23:53,800 --> 00:23:54,967
THE ENTERTAINMENT BUSINESS.

972
00:23:54,967 --> 00:23:56,335
YOU'RE HERE TO ENTERTAIN.

973
00:23:56,335 --> 00:23:59,005
RIGHT NOW, THAT THING IS ON YOUR

974
00:23:59,005 --> 00:24:00,239
ENTERTAINMENT PLATE.

975
00:24:00,239 --> 00:24:02,308
ENTERTAIN.

976
00:24:13,019 --> 00:24:15,154
HEY, LADIES.

977
00:24:15,154 --> 00:24:16,122
LOOKING GOOD.

978
00:24:16,122 --> 00:24:17,524
Y'ALL LOOK NICE.

979
00:24:17,524 --> 00:24:18,558
THANK YOU.

980
00:24:18,558 --> 00:24:19,859
MIMI FINALLY DECIDED

981
00:24:19,859 --> 00:24:21,227
TO GO PUBLIC WITH HER NEW MAN,

982
00:24:21,227 --> 00:24:22,695
SO SHE INVITED ALL OF US OUT

983
00:24:22,695 --> 00:24:24,330
FOR A FEW DRINKS.

984
00:24:24,330 --> 00:24:25,231
I DIDN'T WANT TO STEAL THE

985
00:24:25,231 --> 00:24:27,166
SPOTLIGHT, BUT SOONER OR LATER,

986
00:24:27,166 --> 00:24:28,234
THE GIRLS WOULD HAVE NOTICED

987
00:24:28,234 --> 00:24:29,435
SOMETHING DIFFERENT, SO I JUST

988
00:24:29,435 --> 00:24:31,003
DECIDED TO COME OUT WITH IT.

989
00:24:31,003 --> 00:24:32,905
A LOT HAS BEEN GOING ON.

990
00:24:32,905 --> 00:24:34,273
GOOD, BAD, UGLY?

991
00:24:34,273 --> 00:24:35,107
WHAT?

992
00:24:35,107 --> 00:24:36,375
LOOK AT THAT FACE.

993
00:24:36,375 --> 00:24:37,109
I KNOW.

994
00:24:37,109 --> 00:24:38,010
SHARE, BITCH.

995
00:24:38,010 --> 00:24:39,078
Y'ALL SEE THIS HAND?

996
00:24:39,078 --> 00:24:39,912
WAIT, WHAT?

997
00:24:39,912 --> 00:24:41,681
WAIT A MINUTE. WAIT A MINUTE.

998
00:24:41,681 --> 00:24:42,982
I DIDN'T EVEN NOTICE.

999
00:24:42,982 --> 00:24:44,884
I NEED MY DRINK!

1000
00:24:44,884 --> 00:24:46,352
[laughs]

1001
00:24:46,352 --> 00:24:47,687
IT'S THE LEFT HAND.

1002
00:24:47,687 --> 00:24:49,822
ERICA, WHAT?

1003
00:24:49,822 --> 00:24:50,757
I'M LOOKING, LIKE--

1004
00:24:50,757 --> 00:24:51,858
I SAW THIS,

1005
00:24:51,858 --> 00:24:53,793
BUT THAT'S THE WRONG HAND.

1006
00:24:53,793 --> 00:24:55,194
Y'ALL AIN'T TOGETHER NO MORE?

1007
00:24:55,194 --> 00:24:56,195
HONEY.

1008
00:24:56,195 --> 00:24:57,597
WENT THROUGH HIS PHONE.

1009
00:24:57,597 --> 00:24:59,131
SEEN LETTERS AND JUNK, AND--

1010
00:24:59,131 --> 00:24:59,799
LETTERS?

1011
00:24:59,799 --> 00:25:00,567
DON'T BE GOING THROUGH

1012
00:25:00,567 --> 00:25:02,068
NO PHONES AND [bleep].

1013
00:25:02,068 --> 00:25:03,369
OH, WELL, I DID.

1014
00:25:03,369 --> 00:25:04,036
I FEEL LIKE I HAVE

1015
00:25:04,036 --> 00:25:05,004
EVERY RIGHT TO.

1016
00:25:05,004 --> 00:25:05,838
IF I'M SUPPOSED TO BE BUILDING

1017
00:25:05,838 --> 00:25:08,440
THIS TRUST IN YOU, WHAT'S WITH

1018
00:25:08,440 --> 00:25:09,576
ALL THESE DIFFERENT FEMALES

1019
00:25:09,576 --> 00:25:10,342
ALL THE TIME?

1020
00:25:10,342 --> 00:25:11,978
SINCE THIS ENGAGEMENT.

1021
00:25:11,978 --> 00:25:13,245
SINCE THE ENGAGEMENT.

1022
00:25:13,245 --> 00:25:14,246
NO, THAT'S NOT COOL.

1023
00:25:14,246 --> 00:25:16,583
WHY AM I WEARING THIS RING?

1024
00:25:16,583 --> 00:25:17,750
YOU NOT COMMITTED TO JUST ME.

1025
00:25:17,750 --> 00:25:18,618
YOU COMMITTED TO

1026
00:25:18,618 --> 00:25:20,753
EVERY-GODDAMN-BODY.

1027
00:25:20,753 --> 00:25:21,954
I WAS REALLY LOOKING FORWARD

1028
00:25:21,954 --> 00:25:23,222
TO THE GIRLS MEETING NIKKO,

1029
00:25:23,222 --> 00:25:24,591
BUT NOW IT'S KIND OF, YOU KNOW,

1030
00:25:24,591 --> 00:25:26,626
BITTERSWEET THAT I'M HEARING

1031
00:25:26,626 --> 00:25:28,628
THAT ERICA AND SCRAPPY BROKE UP.

1032
00:25:28,628 --> 00:25:29,896
JUST A FEW WEEKS AGO, WE WERE

1033
00:25:29,896 --> 00:25:31,163
ALL TOGETHER, AND WE WERE AT HER

1034
00:25:31,163 --> 00:25:32,599
ENGAGEMENT PARTY, AND NOW--

1035
00:25:32,599 --> 00:25:33,265
AND SHE'S LIKE,

1036
00:25:33,265 --> 00:25:34,767
"AH, WE'RE DONE."

1037
00:25:34,767 --> 00:25:35,835
AH, THERE'S THE MAN

1038
00:25:35,835 --> 00:25:36,669
OF THE HOUR.

1039
00:25:36,669 --> 00:25:37,904
NIKKO!

1040
00:25:37,904 --> 00:25:39,906
WHOO!

1041
00:25:39,906 --> 00:25:41,608
ALL RIGHT!

1042
00:25:41,608 --> 00:25:42,642
HEY, NIKKO.

1043
00:25:42,642 --> 00:25:44,243
HELLO.

1044
00:25:44,243 --> 00:25:44,944
I JUST WANT TO GET A GOOD

1045
00:25:44,944 --> 00:25:45,845
LOOK--FACE ME.

1046
00:25:45,845 --> 00:25:46,646
YOU WANT ME TO TAKE MY SHIRT

1047
00:25:46,646 --> 00:25:47,313
OFF TOO?

1048
00:25:47,313 --> 00:25:48,881
OH, MY GOD.

1049
00:25:48,881 --> 00:25:49,716
YOU CAN HAVE A SEAT.

1050
00:25:49,716 --> 00:25:50,683
THANK YOU, BABY.

1051
00:25:50,683 --> 00:25:51,417
I JUST WANTED TO MAKE SURE

1052
00:25:51,417 --> 00:25:52,084
I APPROVE.

1053
00:25:52,084 --> 00:25:52,752
YOU APPROVE?

1054
00:25:52,752 --> 00:25:53,886
IT'S CRAZY, BECAUSE I TOLD

1055
00:25:53,886 --> 00:25:54,887
MIMI THE OTHER NIGHT, LIKE,

1056
00:25:54,887 --> 00:25:56,055
I FEEL LIKE SHE HAS A TYPE.

1057
00:25:56,055 --> 00:25:56,989
I DON'T.

1058
00:25:56,989 --> 00:25:57,890
WHAT'S THE TYPE YOU THINK

1059
00:25:57,890 --> 00:25:58,625
SHE HAS?

1060
00:25:58,625 --> 00:25:59,992
YOU KNOW, THE MUSCLES, THE

1061
00:25:59,992 --> 00:26:04,296
BUILD, LIKE, THE WASHBOARD ABS.

1062
00:26:04,296 --> 00:26:05,497
OKAY, THAT--

1063
00:26:05,497 --> 00:26:06,498
LADIES, LET'S NOT

1064
00:26:06,498 --> 00:26:07,366
GET IT TWISTED.

1065
00:26:07,366 --> 00:26:08,835
I LIKE A CERTAIN TYPE OF SWAG.

1066
00:26:08,835 --> 00:26:09,702
TOTAL--WHY YOU TRYING TO ACT

1067
00:26:09,702 --> 00:26:10,369
LIKE YOU DON'T HAVE

1068
00:26:10,369 --> 00:26:11,137
A CERTAIN TYPE?

1069
00:26:11,137 --> 00:26:13,305
WHATEVER HE--STEVIE "HAD"

1070
00:26:13,305 --> 00:26:15,307
IS NOT THE SAME [bleep] HE HAS.

1071
00:26:15,307 --> 00:26:16,542
PLEASE BELIEVE IT.

1072
00:26:16,542 --> 00:26:17,443
I DON'T GET THAT.

1073
00:26:17,443 --> 00:26:19,011
THAT'S NOT THE VIBE I'M GETTING.

1074
00:26:19,011 --> 00:26:20,246
I ACTUALLY LIKE NIKKO.

1075
00:26:20,246 --> 00:26:21,247
HE WAS COOL.

1076
00:26:21,247 --> 00:26:23,983
SO FAR, SO GOOD, YOU KNOW?

1077
00:26:23,983 --> 00:26:25,985
I REALLY LOVE HER.

1078
00:26:25,985 --> 00:26:27,754
I JUST WANT TO MAKE SURE

1079
00:26:27,754 --> 00:26:29,922
THAT THIS NOT NO STEVIE REPEAT

1080
00:26:29,922 --> 00:26:32,458
OR NOTHING, BECAUSE SHE'S HAPPY.

1081
00:26:32,458 --> 00:26:33,125
GOOD.

1082
00:26:33,125 --> 00:26:33,793
SHE GOT THE SMILE.

1083
00:26:33,793 --> 00:26:34,460
SHE IS GLOWING.

1084
00:26:34,460 --> 00:26:35,662
AND THAT'S AMAZING.

1085
00:26:35,662 --> 00:26:36,829
I WANT TO MAKE A TOAST

1086
00:26:36,829 --> 00:26:38,665
TO MIMI'S HAPPINESS, BUT ALSO,

1087
00:26:38,665 --> 00:26:40,099
I WANT TO LET YOU GUYS

1088
00:26:40,099 --> 00:26:41,067
IN ON SOMETHING, ALL RIGHT?

1089
00:26:41,067 --> 00:26:41,801
YOU'RE NOT GONNA ASK HER

1090
00:26:41,801 --> 00:26:42,468
TO MARRY YOU.

1091
00:26:42,468 --> 00:26:43,335
NO, NO, NO, LISTEN, THAT'S--

1092
00:26:43,335 --> 00:26:45,137
[laughter]

1093
00:26:45,137 --> 00:26:46,338
LISTEN, I'M SHOOTING A VIDEO,

1094
00:26:46,338 --> 00:26:47,506
RIGHT?

1095
00:26:47,506 --> 00:26:48,941
THAT I'M PUTTING MIMI IN,

1096
00:26:48,941 --> 00:26:51,277
AND I WANT YOU GUYS TO,

1097
00:26:51,277 --> 00:26:52,779
YOU KNOW, COME OUT AND ATTEND.

1098
00:26:52,779 --> 00:26:53,680
SHOW HER SOME SUPPORT.

1099
00:26:53,680 --> 00:26:54,847
BUT IT'S GONNA BE REALLY DOPE.

1100
00:26:54,847 --> 00:26:55,982
OKAY.

1101
00:26:55,982 --> 00:26:56,849
LOOK AT HIS SMILE.

1102
00:26:56,849 --> 00:26:57,583
I'M MAKING YOU THE STAR

1103
00:26:57,583 --> 00:26:58,250
IN THE VIDEO.

1104
00:26:58,250 --> 00:26:59,151
THANK YOU, BABY.

1105
00:26:59,151 --> 00:27:00,152
NIKKO!

1106
00:27:00,152 --> 00:27:00,820
KEEPER!

1107
00:27:00,820 --> 00:27:03,055
LIGHTING!

1108
00:27:03,055 --> 00:27:04,891
LET'S DO THIS LIKE BRUTUS.

1109
00:27:04,891 --> 00:27:05,591
I'M STILL WORKING

1110
00:27:05,591 --> 00:27:06,258
WITH SHORTY.

1111
00:27:06,258 --> 00:27:07,293
IS THIS THE PUERTO RICAN

1112
00:27:07,293 --> 00:27:08,094
PRINCESS?

1113
00:27:08,094 --> 00:27:09,095
YEAH.

1114
00:27:09,095 --> 00:27:09,762
I'M TRYING TO WORK

1115
00:27:09,762 --> 00:27:10,529
WITH THE BITCH.

1116
00:27:10,529 --> 00:27:11,263
LISTEN, I DON'T TALK

1117
00:27:11,263 --> 00:27:12,398
TO THE HELP.

1118
00:27:12,398 --> 00:27:14,400
[screams]

1119
00:27:26,012 --> 00:27:26,913
SLEAZE-O AND I HAVE HAD OUR

1120
00:27:26,913 --> 00:27:28,314
FAIR SHARE OF CRAZINESS OVER

1121
00:27:28,314 --> 00:27:30,249
THE YEARS, BUT NOTHING COMPARES

1122
00:27:30,249 --> 00:27:32,018
TO THE STUFF THAT KARLIE REDD'S

1123
00:27:32,018 --> 00:27:35,287
FAIRY TALE BROUGHT TO THE TABLE.

1124
00:27:35,287 --> 00:27:37,356
WHAT'S GOOD?

1125
00:27:37,356 --> 00:27:38,190
WHAT'S UP WITH ME AND YOU

1126
00:27:38,190 --> 00:27:39,726
WATCHING A TAPE OF JOSELINE?

1127
00:27:39,726 --> 00:27:40,459
SINCE WHEN DID WE WATCH

1128
00:27:40,459 --> 00:27:42,394
A TAPE OF JOSELINE?

1129
00:27:42,394 --> 00:27:44,897
THERE'S NO WAY ON GOD'S EARTH

1130
00:27:44,897 --> 00:27:46,899
DID I WATCH A TAPE OF JOSELINE

1131
00:27:46,899 --> 00:27:49,101
HERNANDEZ WITH KARLIE REDD.

1132
00:27:49,101 --> 00:27:50,169
SEE, WHAT Y'ALL DON'T UNDERSTAND

1133
00:27:50,169 --> 00:27:51,437
IS, LIKE, YOU DON'T FEED INTO

1134
00:27:51,437 --> 00:27:52,739
KARLIE REDD'S BULL[bleep],

1135
00:27:52,739 --> 00:27:53,740
BECAUSE YOU'LL COME OUT

1136
00:27:53,740 --> 00:27:55,607
STINKING.

1137
00:27:55,607 --> 00:27:57,243
BENZINO, WE WERE IN NEW YORK

1138
00:27:57,243 --> 00:27:58,610
IN YOUR HOTEL ROOM, AND IT'S

1139
00:27:58,610 --> 00:28:00,312
THE FIRST TIME ME AND YOU,

1140
00:28:00,312 --> 00:28:01,914
LIKE, REALLY, REALLY HOOKED UP

1141
00:28:01,914 --> 00:28:02,749
IN A MINUTE.

1142
00:28:02,749 --> 00:28:03,382
RIGHT.

1143
00:28:03,382 --> 00:28:04,751
RIGHT? OKAY?

1144
00:28:04,751 --> 00:28:06,753
AND YOU OPENED UP YOUR LAPTOP,

1145
00:28:06,753 --> 00:28:07,386
AND YOU WERE LIKE,

1146
00:28:07,386 --> 00:28:09,055
"I WANT YOU TO SEE SOMETHING."

1147
00:28:09,055 --> 00:28:09,756
LISTEN, ME AND--

1148
00:28:09,756 --> 00:28:10,890
NO, WAIT, LET ME FINISH.

1149
00:28:10,890 --> 00:28:11,858
NO, LET ME FINISH.

1150
00:28:11,858 --> 00:28:13,159
WE WERE HAVING SEX--

1151
00:28:13,159 --> 00:28:14,827
NOTHING YOU COULD SAY OR DO--

1152
00:28:14,827 --> 00:28:15,795
YOU EVEN TRIED TO TAPE ME

1153
00:28:15,795 --> 00:28:17,063
THAT DAY, AND I WAS LIKE,

1154
00:28:17,063 --> 00:28:17,964
"DON'T TAPE ME."

1155
00:28:17,964 --> 00:28:18,630
I TRIED TO TAPE YOU?

1156
00:28:18,630 --> 00:28:19,631
YEAH, YOU TRIED TO TAPE ME

1157
00:28:19,631 --> 00:28:20,432
HAVING SEX WITH YOU, AND I WAS

1158
00:28:20,432 --> 00:28:21,333
LIKE, "DON'T TAPE ME."

1159
00:28:21,333 --> 00:28:22,001
I HAVE A TAPE WITH YOU

1160
00:28:22,001 --> 00:28:22,935
HAVING SEX WITH ME.

1161
00:28:22,935 --> 00:28:24,136
OH, MY GOD.

1162
00:28:24,136 --> 00:28:25,905
YOU TAPED ME WITHOUT MY CONSENT?

1163
00:28:25,905 --> 00:28:27,073
YOU TRIED TO, AND YOU TAPED ME

1164
00:28:27,073 --> 00:28:27,807
WITHOUT MY CONSENT?

1165
00:28:27,807 --> 00:28:29,441
NO, AT THE HOUSE, YOU--WE--

1166
00:28:29,441 --> 00:28:30,109
NO.

1167
00:28:30,109 --> 00:28:31,043
NO, NO, NO, NOT THE HOUSE.

1168
00:28:31,043 --> 00:28:32,278
I'M TALKING ABOUT AT THE HOTEL.

1169
00:28:32,278 --> 00:28:33,012
DO YOU EVEN REMEMBER

1170
00:28:33,012 --> 00:28:34,446
WHAT HAPPENED AT THE HOTEL?

1171
00:28:34,446 --> 00:28:37,083
I SWEAR THAT BENZINO

1172
00:28:37,083 --> 00:28:38,184
SHOWED ME THIS VIDEO.

1173
00:28:38,184 --> 00:28:39,551
I DON'T HAVE TO LIE ABOUT NO

1174
00:28:39,551 --> 00:28:41,287
STUPID-ASS [bleep] VIDEO,

1175
00:28:41,287 --> 00:28:42,488
BENZINO.

1176
00:28:42,488 --> 00:28:43,555
I AIN'T GOT TIME FOR THAT.

1177
00:28:43,555 --> 00:28:44,623
HE'S JUST TRYING TO LIE TO COVER

1178
00:28:44,623 --> 00:28:45,825
HIS ASS WITH STEVIE J. 'CAUSE

1179
00:28:45,825 --> 00:28:47,026
THAT'S HIS BEST FRIEND.

1180
00:28:47,026 --> 00:28:47,994
YOU SHOWED ME JOSELINE'S

1181
00:28:47,994 --> 00:28:48,795
PORN TAPE.

1182
00:28:48,795 --> 00:28:50,396
NO, ACTUALLY, I DIDN'T.

1183
00:28:50,396 --> 00:28:52,064
YOU ARE SUCH A [bleep] LIAR.

1184
00:28:52,064 --> 00:28:53,032
JOSELINE WAS TOUCHING

1185
00:28:53,032 --> 00:28:54,100
HER [bleep].

1186
00:28:54,100 --> 00:28:55,367
YOU SHOWED IT TO ME!

1187
00:28:55,367 --> 00:28:56,035
NO, I DIDN'T.

1188
00:28:56,035 --> 00:28:56,903
YOU SHOWED IT TO ME!

1189
00:28:56,903 --> 00:28:58,304
YOU'RE A [bleep] LIAR!

1190
00:28:58,304 --> 00:28:59,305
AND YOU NEVER SAID, "DON'T--

1191
00:28:59,305 --> 00:29:00,139
LET'S CALL HER."

1192
00:29:00,139 --> 00:29:00,807
AND YOU NEVER SAID,

1193
00:29:00,807 --> 00:29:02,141
"LET'S CALL HER" EITHER?

1194
00:29:02,141 --> 00:29:03,075
WE NEVER SEEN NO TAPE.

1195
00:29:03,075 --> 00:29:05,044
OH, MY GOD!

1196
00:29:05,044 --> 00:29:05,812
WHAT--

1197
00:29:05,812 --> 00:29:06,813
[bleep] NASTY-ASS [bleep].

1198
00:29:06,813 --> 00:29:07,446
PLEASE.

1199
00:29:07,446 --> 00:29:08,114
WHAT'S THE MATTER?

1200
00:29:08,114 --> 00:29:11,150
NASTY-ASS MOTHER[bleep].

1201
00:29:11,150 --> 00:29:12,819
IF THAT'S HOW KARLIE WANTS

1202
00:29:12,819 --> 00:29:14,153
TO GET ATTENTION FROM ME

1203
00:29:14,153 --> 00:29:15,922
OR TO GET BACK AT ME, WELL,

1204
00:29:15,922 --> 00:29:16,856
SHE CAN HAVE THAT.

1205
00:29:16,856 --> 00:29:18,124
I'M A GROWN-ASS MAN.

1206
00:29:18,124 --> 00:29:18,925
I JUST DON'T HAVE TIME

1207
00:29:18,925 --> 00:29:20,492
FOR THE BULL[bleep] ANYMORE.

1208
00:29:20,492 --> 00:29:22,261
LISTEN, ME AND STEVIE, OKAY,

1209
00:29:22,261 --> 00:29:23,462
GOT INTO A BIG ARGUMENT OVER

1210
00:29:23,462 --> 00:29:25,431
THIS [bleep] BIG SITUATION,

1211
00:29:25,431 --> 00:29:26,332
AND THAT'S MY GUY

1212
00:29:26,332 --> 00:29:27,199
FOR YEARS, YOU KNOW

1213
00:29:27,199 --> 00:29:27,867
WHAT I'M SAYING?

1214
00:29:27,867 --> 00:29:29,068
WE'VE NEVER HAD NO PROBLEMS

1215
00:29:29,068 --> 00:29:30,169
LIKE THAT.

1216
00:29:30,169 --> 00:29:30,970
YOU AND STEVIE NEVER

1217
00:29:30,970 --> 00:29:31,637
HAD NO PROBLEMS?

1218
00:29:31,637 --> 00:29:32,471
NOT LIKE THAT.

1219
00:29:32,471 --> 00:29:34,706
THIS SITUATION GOT US INTO

1220
00:29:34,706 --> 00:29:36,008
A PLACE THAT WE'VE NEVER BEEN,

1221
00:29:36,008 --> 00:29:37,243
ALL RIGHT?

1222
00:29:37,243 --> 00:29:38,577
YOU'VE TALKED [bleep] ABOUT

1223
00:29:38,577 --> 00:29:40,880
STEVIE J. TO ME ALL THE TIME.

1224
00:29:40,880 --> 00:29:42,481
KARLIE, ALL I'M SAYING IS,

1225
00:29:42,481 --> 00:29:43,883
LIKE, DON'T BE THE GO-BETWEEN

1226
00:29:43,883 --> 00:29:45,151
BETWEEN PEOPLE

1227
00:29:45,151 --> 00:29:46,118
ON ANY CIRCUMSTANCE.

1228
00:29:46,118 --> 00:29:47,153
IT DIDN'T GO LIKE THAT.

1229
00:29:47,153 --> 00:29:48,020
IF YOU'RE [bleep] HER,

1230
00:29:48,020 --> 00:29:49,221
I'MA ASK HER.

1231
00:29:49,221 --> 00:29:49,989
I'M NOT [bleep] HER,

1232
00:29:49,989 --> 00:29:51,991
AND I WOULDN'T [bleep] HER.

1233
00:29:51,991 --> 00:29:53,092
SO ALL I'M SAYING IS, LIKE,

1234
00:29:53,092 --> 00:29:54,126
MOVING FORWARD, YOU KNOW,

1235
00:29:54,126 --> 00:29:55,227
WE DON'T GOT TO SAY NOTHING

1236
00:29:55,227 --> 00:29:56,162
TO EACH OTHER.

1237
00:29:56,162 --> 00:29:57,729
WE TRIED, IT DIDN'T WORK,

1238
00:29:57,729 --> 00:29:58,730
AND WE MOVE ON, YOU KNOW

1239
00:29:58,730 --> 00:29:59,665
WHAT I'M SAYING?

1240
00:29:59,665 --> 00:30:01,333
JUST, LIKE, LEAVE MY NAME

1241
00:30:01,333 --> 00:30:02,001
OUT YOUR MOUTH,

1242
00:30:02,001 --> 00:30:02,969
AND I'LL DO THE SAME.

1243
00:30:02,969 --> 00:30:04,971
HOW ABOUT THAT?

1244
00:30:07,573 --> 00:30:09,375
PARTY WITH YOUR PEOPLE!

1245
00:30:09,375 --> 00:30:13,212
TURN THE FUNK UP RIGHT NOW!

1246
00:30:13,212 --> 00:30:14,213
SINCE SIGNING JOSELINE'S NEW

1247
00:30:14,213 --> 00:30:15,681
CONTRACT, THINGS WERE SO GOOD

1248
00:30:15,681 --> 00:30:17,116
BETWEEN US, I DECIDED TO THROW

1249
00:30:17,116 --> 00:30:18,217
A SMALL, LITTLE GATHERING FOR

1250
00:30:18,217 --> 00:30:20,052
US, BUT I TURNED AROUND, AND

1251
00:30:20,052 --> 00:30:20,887
CHE' MACK IS WORKING

1252
00:30:20,887 --> 00:30:22,989
IN THE SPOT.

1253
00:30:22,989 --> 00:30:24,123
THAT'S DEFINITELY NOT THE PERSON

1254
00:30:24,123 --> 00:30:26,025
JOSELINE NEEDS TO SEE RIGHT NOW.

1255
00:30:26,025 --> 00:30:27,426
IS THIS YOUR BOTTLE, SIR?

1256
00:30:27,426 --> 00:30:28,394
HEY, WHAT'S UP?

1257
00:30:28,394 --> 00:30:29,128
HI.

1258
00:30:29,128 --> 00:30:29,962
HOW HAVE YOU BEEN

1259
00:30:29,962 --> 00:30:31,530
ALL MY LIFE?

1260
00:30:31,530 --> 00:30:32,198
SOMETHING DIFFERENT

1261
00:30:32,198 --> 00:30:32,865
ABOUT YOU.

1262
00:30:32,865 --> 00:30:34,867
I'M THE BOMB.COM.

1263
00:30:38,070 --> 00:30:39,005
SHE LOOKED A BIT DIFFERENT.

1264
00:30:39,005 --> 00:30:40,739
YOU KNOW, TALKED AS MUCH SMACK

1265
00:30:40,739 --> 00:30:41,974
AS THE LAST TIME I SAW HER

1266
00:30:41,974 --> 00:30:44,210
AND REEKED LIKE SHE JUST

1267
00:30:44,210 --> 00:30:46,212
TOOK A SHOWER IN ALCOHOL.

1268
00:30:46,212 --> 00:30:47,513
YO, I'M TRYING TO TOLD YOU,

1269
00:30:47,513 --> 00:30:49,648
WHAT ARE YOU TRYING TO DO?

1270
00:30:49,648 --> 00:30:50,983
LET'S DO THIS LIKE BRUTUS.

1271
00:30:50,983 --> 00:30:51,984
LOOK, I'M STILL WORKING

1272
00:30:51,984 --> 00:30:53,185
WITH SHORTY, AND WE ALMOST--

1273
00:30:53,185 --> 00:30:54,253
NO, YOU WORRYING ABOUT

1274
00:30:54,253 --> 00:30:55,554
A BITCH THAT'S A--

1275
00:30:55,554 --> 00:30:56,956
[stutters]

1276
00:30:56,956 --> 00:30:58,190
A [bleep] PORN STAR-LOOKING

1277
00:30:58,190 --> 00:30:59,158
TYPE OF BITCH.

1278
00:30:59,158 --> 00:31:00,426
I LOOK LIKE A REAL STAR.

1279
00:31:00,426 --> 00:31:01,093
I LOOK LIKE A BITCH

1280
00:31:01,093 --> 00:31:02,561
THAT CAME FROM THE GUTTER.

1281
00:31:02,561 --> 00:31:04,063
I LOOK LIKE A REAL BITCH.

1282
00:31:04,063 --> 00:31:06,365
NO ASS SHOTS, NO TITTIES,

1283
00:31:06,365 --> 00:31:07,499
NO NOTHING!

1284
00:31:07,499 --> 00:31:09,468
JUST CHILL OUT, MACK.

1285
00:31:09,468 --> 00:31:11,170
I APPRECIATE YOUR PASSION,

1286
00:31:11,170 --> 00:31:11,837
BUT YOU NOT GONNA MAKE

1287
00:31:11,837 --> 00:31:13,072
NO FRIENDS LIKE THAT.

1288
00:31:13,072 --> 00:31:15,107
HELLO!

1289
00:31:15,107 --> 00:31:16,642
WAIT, IS THIS THE PUERTO RICAN

1290
00:31:16,642 --> 00:31:17,609
PRINCESS?

1291
00:31:17,609 --> 00:31:18,477
YEAH.

1292
00:31:18,477 --> 00:31:19,811
PLEASE, CAN I INTRODUCE

1293
00:31:19,811 --> 00:31:20,947
MYSELF TO HER PROPERLY?

1294
00:31:20,947 --> 00:31:22,181
YEAH, YEAH.

1295
00:31:22,181 --> 00:31:23,582
AND IS IT A PROBLEM?

1296
00:31:23,582 --> 00:31:26,018
YEAH, NO PROBLEMS.

1297
00:31:26,018 --> 00:31:27,353
EXCUSE ME.

1298
00:31:27,353 --> 00:31:28,955
HELLO.

1299
00:31:28,955 --> 00:31:31,590
CAN I MEET YOU FOR A SECOND?

1300
00:31:31,590 --> 00:31:32,992
STEVIE, I'M TRYING TO MEET HER,

1301
00:31:32,992 --> 00:31:34,326
AND I DON'T LIKE THIS.

1302
00:31:34,326 --> 00:31:36,828
JOSELINE, LET'S DO THIS

1303
00:31:36,828 --> 00:31:38,264
LIKE BRUTUS.

1304
00:31:38,264 --> 00:31:39,265
CALM DOWN.

1305
00:31:39,265 --> 00:31:40,132
WHY YOU ALL UP ON ME?

1306
00:31:40,132 --> 00:31:40,967
BECAUSE I'M NOT

1307
00:31:40,967 --> 00:31:41,833
ALL UP ON YOU.

1308
00:31:41,833 --> 00:31:43,302
I'M READY TO WORK.

1309
00:31:43,302 --> 00:31:44,670
YOU KNOW THE [bleep].

1310
00:31:44,670 --> 00:31:45,737
LISTEN, I DON'T TALK

1311
00:31:45,737 --> 00:31:46,805
TO THE HELP.

1312
00:31:46,805 --> 00:31:48,074
STEVIE LIKE TO WORK WITH BUMS.

1313
00:31:48,074 --> 00:31:49,075
STEVIE PICK UP ANYBODY FROM

1314
00:31:49,075 --> 00:31:50,042
THE STREET AND WORK WITH THEM

1315
00:31:50,042 --> 00:31:51,077
JUST BECAUSE TO SAY HE'S IN THE

1316
00:31:51,077 --> 00:31:54,680
STUDIO, BUT IT'S NOT QUANTITY.

1317
00:31:54,680 --> 00:31:56,115
IT'S QUALITY.

1318
00:31:56,115 --> 00:31:57,483
WHAT ARE YOU DOING?

1319
00:31:57,483 --> 00:31:58,317
I'M TRYING TO WORK

1320
00:31:58,317 --> 00:31:59,085
WITH THE BITCH.

1321
00:31:59,085 --> 00:31:59,818
I DON'T GIVE A [bleep]

1322
00:31:59,818 --> 00:32:00,686
ABOUT HER.

1323
00:32:00,686 --> 00:32:01,720
IT'S LIKE THIS.

1324
00:32:01,720 --> 00:32:02,788
WHAT'S THE CHAIN OF COMMAND

1325
00:32:02,788 --> 00:32:04,123
AROUND HERE?

1326
00:32:04,123 --> 00:32:04,890
YOU NEED TO BRING YOUR ASS

1327
00:32:04,890 --> 00:32:06,192
OVER HERE AND COME PARTY.

1328
00:32:06,192 --> 00:32:06,993
YOU'RE DOING ALL THE GODDAMN

1329
00:32:06,993 --> 00:32:07,859
TALKING--

1330
00:32:07,859 --> 00:32:09,728
[screams]

1331
00:32:09,728 --> 00:32:11,163
YOU DON'T WANT TO TALK TO ME?

1332
00:32:11,163 --> 00:32:12,331
CALM DOWN.

1333
00:32:12,331 --> 00:32:13,665
OH, MY GOD, THIS IS A MESS.

1334
00:32:13,665 --> 00:32:15,634
WHAT THE [bleep] IS THAT?

1335
00:32:15,634 --> 00:32:16,702
WHAT DO YOU WANT?

1336
00:32:16,702 --> 00:32:18,437
WHAT DO YOU WANT!

1337
00:32:18,437 --> 00:32:19,771
LET'S GO!

1338
00:32:19,771 --> 00:32:22,041
YO, MACK, CHILL.

1339
00:32:22,041 --> 00:32:23,709
LET'S GO!

1340
00:32:23,709 --> 00:32:24,543
WHY SHE SPITTING

1341
00:32:24,543 --> 00:32:26,745
ALL IN YOUR FACE?

1342
00:32:26,745 --> 00:32:28,014
LET'S GO, DADDY.

1343
00:32:28,014 --> 00:32:28,847
WHY YOU ALL UP IN THIS?

1344
00:32:28,847 --> 00:32:30,916
CAN I GET SOME DRINKS?

1345
00:32:30,916 --> 00:32:32,384
WHERE'S YOUR DRINK?

1346
00:32:32,384 --> 00:32:33,385
BABY, WHY YOU TALKING

1347
00:32:33,385 --> 00:32:35,721
TO THIS CRAZY HO?

1348
00:32:35,721 --> 00:32:36,755
SO YOU LATE?

1349
00:32:36,755 --> 00:32:38,024
YEAH.

1350
00:32:38,024 --> 00:32:39,391
HOW LATE?

1351
00:32:39,391 --> 00:32:40,292
TWO MONTHS.

1352
00:32:40,292 --> 00:32:41,593
WHOA, RASHEEDA.

1353
00:32:41,593 --> 00:32:42,728
AS OF WHERE WE STAND

1354
00:32:42,728 --> 00:32:44,863
RIGHT NOW WITH HIM AND I,

1355
00:32:44,863 --> 00:32:46,865
THIS AIN'T THE BEST TIME.

1356
00:32:58,544 --> 00:32:59,478
A LOT HAS HAPPENED SINCE

1357
00:32:59,478 --> 00:33:02,714
I SAW RASHEEDA LAST TIME, AND

1358
00:33:02,714 --> 00:33:04,150
AS MUCH AS I WANT TO TALK TO HER

1359
00:33:04,150 --> 00:33:07,186
ABOUT ENDING MY ENGAGEMENT, SHE

1360
00:33:07,186 --> 00:33:08,254
SOUNDED SO TENSE ON THE PHONE,

1361
00:33:08,254 --> 00:33:09,621
AND I KNOW MY PROBLEMS

1362
00:33:09,621 --> 00:33:10,656
ARE GONNA HAVE TO WAIT.

1363
00:33:10,656 --> 00:33:11,390
IT'S BEEN A MINUTE.

1364
00:33:11,390 --> 00:33:12,391
YES, IT HAS.

1365
00:33:12,391 --> 00:33:13,192
HOW HAVE YOU BEEN?

1366
00:33:13,192 --> 00:33:15,561
GIRL, I'M ON PINS

1367
00:33:15,561 --> 00:33:16,262
AND NEEDLES.

1368
00:33:16,262 --> 00:33:17,529
I'M ABOUT TO START SWEATING.

1369
00:33:17,529 --> 00:33:18,930
OOH.

1370
00:33:18,930 --> 00:33:19,831
YOU JUST DON'T EVEN KNOW.

1371
00:33:19,831 --> 00:33:22,834
I'M JUST, LIKE--

1372
00:33:22,834 --> 00:33:24,470
I THINK I'M PREGNANT.

1373
00:33:24,470 --> 00:33:26,472
WHOO!

1374
00:33:28,374 --> 00:33:29,975
YOU THINK YOU'RE PREGNANT?

1375
00:33:29,975 --> 00:33:30,642
YOU KNOW--

1376
00:33:30,642 --> 00:33:31,810
YOU TOOK ANY TESTS?

1377
00:33:31,810 --> 00:33:33,445
YOU--SO YOU HAVEN'T DONE

1378
00:33:33,445 --> 00:33:34,113
ANYTHING?

1379
00:33:34,113 --> 00:33:34,880
I HAVEN'T DONE ANYTHING.

1380
00:33:34,880 --> 00:33:35,847
I HAVE A DOCTOR'S APPOINTMENT

1381
00:33:35,847 --> 00:33:36,515
COMING UP.

1382
00:33:36,515 --> 00:33:37,483
SO YOU LATE?

1383
00:33:37,483 --> 00:33:38,484
YEAH.

1384
00:33:38,484 --> 00:33:40,652
HOW LATE?

1385
00:33:40,652 --> 00:33:41,953
TWO MONTHS.

1386
00:33:41,953 --> 00:33:42,788
LET ME JUST SAY THIS--

1387
00:33:42,788 --> 00:33:44,090
WHOA, RASHEEDA!

1388
00:33:44,090 --> 00:33:46,092
ALMOST, BUT LET ME SAY THIS.

1389
00:33:46,092 --> 00:33:47,893
I THINK MAYBE I'M IN DENIAL,

1390
00:33:47,893 --> 00:33:48,560
IN A SENSE.

1391
00:33:48,560 --> 00:33:49,461
I THINK YOU ARE,

1392
00:33:49,461 --> 00:33:51,097
BUT DO YOU THINK YOU READY?

1393
00:33:51,097 --> 00:33:53,599
DO YOU THINK KIRK'S READY?

1394
00:33:53,599 --> 00:33:54,966
AS OF WHERE WE STAND RIGHT

1395
00:33:54,966 --> 00:33:57,636
NOW WITH HIM AND I, THIS AIN'T

1396
00:33:57,636 --> 00:34:00,372
THE BEST TIME, WITH--

1397
00:34:00,372 --> 00:34:01,273
BETWEEN ME AND HIM WITH

1398
00:34:01,273 --> 00:34:02,474
WHAT'S GOING ON WITH US.

1399
00:34:02,474 --> 00:34:03,309
WE JUST BEEN BACKING AND

1400
00:34:03,309 --> 00:34:04,543
FORTHING, AND THE "MAIN THING"

1401
00:34:04,543 --> 00:34:06,245
BEING KIDS AND MONEY,

1402
00:34:06,245 --> 00:34:08,347
I FEEL LIKE DROPPING THIS

1403
00:34:08,347 --> 00:34:10,116
ON HIM RIGHT NOW--

1404
00:34:10,116 --> 00:34:10,882
I DON'T KNOW WHAT IT'LL

1405
00:34:10,882 --> 00:34:11,783
DO TO US.

1406
00:34:11,783 --> 00:34:13,119
ACTUALLY, THAT TOPIC COULD

1407
00:34:13,119 --> 00:34:13,985
BE, LIKE, Y'ALL BREAKTHROUGH,

1408
00:34:13,985 --> 00:34:14,653
REALLY.

1409
00:34:14,653 --> 00:34:15,321
YOU THINK?

1410
00:34:15,321 --> 00:34:15,987
MM-HMM.

1411
00:34:15,987 --> 00:34:17,123
'CAUSE HONEY, LISTEN, WE NEED

1412
00:34:17,123 --> 00:34:18,390
SOME KIND OF BREAKTHROUGH,

1413
00:34:18,390 --> 00:34:19,791
'CAUSE, TO BE HONEST WITH YOU,

1414
00:34:19,791 --> 00:34:21,860
IT'S LIKE, WE HAVEN'T REALLY

1415
00:34:21,860 --> 00:34:24,230
BEEN, LIKE, THIS KIND OF BAD

1416
00:34:24,230 --> 00:34:26,398
WITH, YOU KNOW, EACH OTHER

1417
00:34:26,398 --> 00:34:28,834
IN A WHILE.

1418
00:34:28,834 --> 00:34:30,869
I DON'T KNOW, E.

1419
00:34:30,869 --> 00:34:32,471
I'M NERVOUS.

1420
00:34:32,471 --> 00:34:33,805
I'M NERVOUS FOR YOU, GIRL.

1421
00:34:33,805 --> 00:34:34,706
LOOK AT MY HANDS.

1422
00:34:34,706 --> 00:34:37,476
THEY'RE, LIKE--OOH.

1423
00:34:37,476 --> 00:34:38,610
AT LEAST I'M LAUGHING.

1424
00:34:38,610 --> 00:34:40,179
I AIN'T LAUGHED ALL DAY.

1425
00:34:40,179 --> 00:34:40,979
IT'S GOOD.

1426
00:34:40,979 --> 00:34:42,148
I BEEN IN A HORRIBLE MOOD.

1427
00:34:42,148 --> 00:34:43,149
[melancholy RandB music]

1428
00:34:43,149 --> 00:34:48,220
* SOMEBODY ASK ME

1429
00:34:48,220 --> 00:34:50,989
♪ HOW DID I SURVIVE

1430
00:34:50,989 --> 00:34:51,890
I'M NERVOUS.

1431
00:34:51,890 --> 00:34:52,924
I'M EXCITED.

1432
00:34:52,924 --> 00:34:54,560
I'M ALSO KIND OF SAD,

1433
00:34:54,560 --> 00:34:57,363
IN A SENSE.

1434
00:34:57,363 --> 00:35:03,169
* HOW DID I STAY ALIVE?

1435
00:35:03,169 --> 00:35:04,503
♪ SOMEBODY WANTED TO KNOW

1436
00:35:04,503 --> 00:35:05,271
KIRK AND I HAVE BEEN GOING

1437
00:35:05,271 --> 00:35:06,037
THROUGH SO MANY DIFFERENT

1438
00:35:06,037 --> 00:35:07,173
THINGS, AND ALTHOUGH WE'VE

1439
00:35:07,173 --> 00:35:09,074
TALKED ABOUT HAVING MORE KIDS,

1440
00:35:09,074 --> 00:35:10,576
I KNOW THE TIMING HAS BEEN

1441
00:35:10,576 --> 00:35:12,844
CRAZY, AND I FEEL LIKE, "DON'T

1442
00:35:12,844 --> 00:35:14,413
BRING KIRK ALONG," YOU KNOW?

1443
00:35:14,413 --> 00:35:15,547
I DON'T KNOW IF HE'S READY

1444
00:35:15,547 --> 00:35:16,348
TO HEAR THIS.

1445
00:35:16,348 --> 00:35:17,383
BUT, YOU KNOW, AS A WOMAN,

1446
00:35:17,383 --> 00:35:18,750
I HAVE TO DO WHAT I HAVE TO DO,

1447
00:35:18,750 --> 00:35:21,019
AND AFTERWARDS, I'LL HAVE TO GO

1448
00:35:21,019 --> 00:35:21,820
TALK TO HIM.

1449
00:35:21,820 --> 00:35:24,523
* I PRAY EACH AND EVERY DAY

1450
00:35:24,523 --> 00:35:26,425
♪ AND EVERY SINGLE NIGHT

1451
00:35:26,425 --> 00:35:27,259
♪ I WONDER

1452
00:35:27,259 --> 00:35:29,428
♪ IF THE HEAVEN'S THERE ♪

1453
00:35:29,428 --> 00:35:31,397
♪ OR REALLY HEARD MY CRY

1454
00:35:31,397 --> 00:35:32,398
♪ I'LL TELL YOU ♪

1455
00:35:32,398 --> 00:35:34,433
♪ WHEN THE DARK CAME IN

1456
00:35:34,433 --> 00:35:36,268
♪ WHEN I STARTED LISTENING

1457
00:35:36,268 --> 00:35:37,203
♪ TO HEAVEN

1458
00:35:37,203 --> 00:35:38,804
♪ SPEAKING FROM MY HEART

1459
00:35:38,804 --> 00:35:41,106
MISS FROST.

1460
00:35:41,106 --> 00:35:43,008
I'VE GOT GREAT NEWS.

1461
00:35:43,008 --> 00:35:43,709
YOU'RE PREGNANCY TEST

1462
00:35:43,709 --> 00:35:44,376
IS POSITIVE.

1463
00:35:44,376 --> 00:35:46,077
[sighs]

1464
00:35:46,077 --> 00:35:50,382
SEE, I'M--I FEEL HAPPY BUT

1465
00:35:50,382 --> 00:35:53,018
STRESSED ALL AT THE SAME TIME.

1466
00:35:53,018 --> 00:35:53,819
HOW ABOUT WE TAKE A LOOK

1467
00:35:53,819 --> 00:35:54,486
AT THE BABY,

1468
00:35:54,486 --> 00:35:55,454
DO AN ULTRASOUND?

1469
00:35:55,454 --> 00:35:56,121
OH, WE CAN DO THAT?

1470
00:35:56,121 --> 00:35:59,925
YEAH.

1471
00:35:59,925 --> 00:36:00,726
WE CAN DO THAT.

1472
00:36:00,726 --> 00:36:03,462
ALL RIGHT, COOL.

1473
00:36:03,462 --> 00:36:04,129
IN THIS ONE, ACTUALLY,

1474
00:36:04,129 --> 00:36:05,497
THE BABY'S OVER HERE.

1475
00:36:05,497 --> 00:36:08,467
OH, THAT IS SO--

1476
00:36:08,467 --> 00:36:09,635
WHAT ARE YOU HOPING FOR?

1477
00:36:09,635 --> 00:36:10,402
A BOY.

1478
00:36:10,402 --> 00:36:11,069
ANOTHER BOY?

1479
00:36:11,069 --> 00:36:12,371
YES.

1480
00:36:12,371 --> 00:36:13,272
WHY?

1481
00:36:13,272 --> 00:36:15,241
'CAUSE, WHEW, DEALING WITH

1482
00:36:15,241 --> 00:36:17,509
THE GIRLS, WHEW, IS A LOT

1483
00:36:17,509 --> 00:36:18,510
OF WORK.

1484
00:36:18,510 --> 00:36:21,480
* I PRAY EACH AND EVERY DAY

1485
00:36:21,480 --> 00:36:24,015
♪ AND EVERY SINGLE NIGHT

1486
00:36:24,015 --> 00:36:25,251
THERE'S A BABY IN THERE.

1487
00:36:25,251 --> 00:36:26,985
JEEZ.

1488
00:36:26,985 --> 00:36:31,523
IT'S A BABY IN MY BELLY.

1489
00:36:31,523 --> 00:36:32,591
AND HE TOLD YOU WHILE Y'ALL

1490
00:36:32,591 --> 00:36:34,125
WAS IN BED THAT HE HAD SEX

1491
00:36:34,125 --> 00:36:34,860
WITH ME.

1492
00:36:34,860 --> 00:36:35,894
NO, HE SAID HE USED

1493
00:36:35,894 --> 00:36:36,562
TO SEE YOU.

1494
00:36:36,562 --> 00:36:37,296
HE SAW YOU.

1495
00:36:37,296 --> 00:36:37,963
SEE ME WHERE?

1496
00:36:37,963 --> 00:36:38,630
SEE YOU! KICKING IT!

1497
00:36:38,630 --> 00:36:39,631
SMASH! SEE YOU.

1498
00:36:39,631 --> 00:36:41,633
SEE YOU.

1499
00:36:57,749 --> 00:36:59,184
HEY.

1500
00:36:59,184 --> 00:37:00,852
WHAT'S GOOD?

1501
00:37:00,852 --> 00:37:02,053
HOW YOU BEEN?

1502
00:37:02,053 --> 00:37:03,522
I'M ALL RIGHT.

1503
00:37:03,522 --> 00:37:04,723
KARLIE, HOW MANY TIMES YOU GONNA

1504
00:37:04,723 --> 00:37:05,757
MESS UP RELATIONSHIPS

1505
00:37:05,757 --> 00:37:06,558
IN MY LIFE?

1506
00:37:06,558 --> 00:37:08,660
YOU MESSED UP THE ONE WITH MIMI,

1507
00:37:08,660 --> 00:37:09,595
YOU SCREWED UP THE ONE WITH

1508
00:37:09,595 --> 00:37:10,629
ZINO, BUT LET ME TELL YOU

1509
00:37:10,629 --> 00:37:11,297
SOMETHING.

1510
00:37:11,297 --> 00:37:11,963
YOU SCREW AROUND WITH ME

1511
00:37:11,963 --> 00:37:13,499
AND JOSELINE, YOU GONNA FEEL THE

1512
00:37:13,499 --> 00:37:15,734
CONSEQUENCES OF YOUR ACTIONS.

1513
00:37:15,734 --> 00:37:17,135
YOU KNOW HOW LONG ME AND BENZINO

1514
00:37:17,135 --> 00:37:18,304
BEEN FRIENDS?

1515
00:37:18,304 --> 00:37:19,338
I COULD CARE LESS.

1516
00:37:19,338 --> 00:37:20,572
I KNOW YOU COULD CARE LESS,

1517
00:37:20,572 --> 00:37:21,673
BUT THAT'S WHY YOU A ZERO

1518
00:37:21,673 --> 00:37:23,074
IN THIS INDUSTRY RIGHT NOW--

1519
00:37:23,074 --> 00:37:24,310
BECAUSE YOU JUST DON'T CARE.

1520
00:37:24,310 --> 00:37:25,010
DOES IT LOOK LIKE

1521
00:37:25,010 --> 00:37:26,044
I'M WORRIED?

1522
00:37:26,044 --> 00:37:27,178
NAH, YOU DON'T GOT TO BE.

1523
00:37:27,178 --> 00:37:30,349
HEY, WHAT'S UP, BABES?

1524
00:37:30,349 --> 00:37:31,983
I'M SICK OF YOU, HO.

1525
00:37:31,983 --> 00:37:32,651
WHATEVER.

1526
00:37:32,651 --> 00:37:33,819
WHAT IS THIS HO HERE--

1527
00:37:33,819 --> 00:37:35,321
WHATEVER WHAT?

1528
00:37:35,321 --> 00:37:36,588
WHAT'S UP, BABY?

1529
00:37:36,588 --> 00:37:37,523
WHAT'S GOOD?

1530
00:37:37,523 --> 00:37:39,024
WHENEVER I SEEN KARLIE, I WAS

1531
00:37:39,024 --> 00:37:40,125
LIKE, "BITCH, DIDN'T YOU CAUSE

1532
00:37:40,125 --> 00:37:41,460
ENOUGH PROBLEMS?"

1533
00:37:41,460 --> 00:37:42,328
THE ONLY THING I COULD THINK

1534
00:37:42,328 --> 00:37:43,329
ABOUT IS, LIKE, "STEVIE, WHY

1535
00:37:43,329 --> 00:37:44,563
WOULD HAVE ME HERE IN THE SAME

1536
00:37:44,563 --> 00:37:45,331
ROOM WITH THIS BITCH?"

1537
00:37:45,331 --> 00:37:46,798
THE ONLY THING KARLIE REDD NEEDS

1538
00:37:46,798 --> 00:37:48,233
TO THINK ABOUT IS GOING OVER

1539
00:37:48,233 --> 00:37:49,568
THERE TO [bleep] GRANDPAPA

1540
00:37:49,568 --> 00:37:51,537
[bleep] AND LEAVE ME AND STEVIE

1541
00:37:51,537 --> 00:37:52,938
OUT OF Y'ALL SEX LIFE.

1542
00:37:52,938 --> 00:37:54,440
WHY YOU AND YOUR MAN HAVING

1543
00:37:54,440 --> 00:37:56,241
A CONVERSATION ABOUT ME IN Y'ALL

1544
00:37:56,241 --> 00:37:57,343
BED WHILE Y'ALL IN THE BED?

1545
00:37:57,343 --> 00:37:59,110
FIRST OF ALL, HE WAS HAVING

1546
00:37:59,110 --> 00:38:00,712
A CONVERSATION ABOUT YOU.

1547
00:38:00,712 --> 00:38:01,913
HE TOLD YOU WHILE Y'ALL WAS

1548
00:38:01,913 --> 00:38:03,715
IN BED THAT HE HAD SEX WITH ME.

1549
00:38:03,715 --> 00:38:04,850
NO, HE SAID HE USED

1550
00:38:04,850 --> 00:38:05,751
TO SEE YOU.

1551
00:38:05,751 --> 00:38:06,418
HE SAW YOU.

1552
00:38:06,418 --> 00:38:07,085
SEE ME WHERE?

1553
00:38:07,085 --> 00:38:07,753
SEE YOU! KICKING IT!

1554
00:38:07,753 --> 00:38:08,587
SMASH! SEE YOU.

1555
00:38:08,587 --> 00:38:09,254
SEE YOU.

1556
00:38:09,254 --> 00:38:10,021
YOU SHOULD HAVE KEPT THAT

1557
00:38:10,021 --> 00:38:10,689
WITH YOU AND HIM.

1558
00:38:10,689 --> 00:38:11,523
NO, BECAUSE I DIDN'T KNOW IF

1559
00:38:11,523 --> 00:38:12,991
HE WAS LYING TO ME, AND HE WAS

1560
00:38:12,991 --> 00:38:14,460
STILL TRYING TO KICK IT WITH ME,

1561
00:38:14,460 --> 00:38:15,193
SO I WANTED TO SEE

1562
00:38:15,193 --> 00:38:16,662
WHO WAS LYING.

1563
00:38:16,662 --> 00:38:17,363
LET'S KEEP IT REAL.

1564
00:38:17,363 --> 00:38:18,397
I WANT YOU TO UNDERSTAND THAT

1565
00:38:18,397 --> 00:38:19,631
YOU GOT TO WATCH WHAT YOU SAY.

1566
00:38:19,631 --> 00:38:20,932
I AIN'T GOT TO WATCH [bleep].

1567
00:38:20,932 --> 00:38:22,167
I CAME HER--HER FACE--AND

1568
00:38:22,167 --> 00:38:23,469
I ASKED HER A SIMPLE QUESTION.

1569
00:38:23,469 --> 00:38:24,570
SHE ANSWERED IT LIKE A GROWN-ASS

1570
00:38:24,570 --> 00:38:25,804
ADULT, AND THAT WAS THE END

1571
00:38:25,804 --> 00:38:26,738
OF IT, AND WE WAS COOL.

1572
00:38:26,738 --> 00:38:27,606
WE WERE WALKING DOWN, HAVING

1573
00:38:27,606 --> 00:38:28,507
COFFEE, AND THAT WAS THE END

1574
00:38:28,507 --> 00:38:30,041
OF IT, ALL RIGHT?

1575
00:38:30,041 --> 00:38:31,843
WHY IS JOSELINE ACTING CRAZY

1576
00:38:31,843 --> 00:38:33,011
OVER STEVIE J. AND BENZINO

1577
00:38:33,011 --> 00:38:34,145
FIGHTING?

1578
00:38:34,145 --> 00:38:35,180
THEY NEED TO DEAL WITH IT

1579
00:38:35,180 --> 00:38:37,082
THEMSELVES AND LEAVE US

1580
00:38:37,082 --> 00:38:38,083
OUT OF IT.

1581
00:38:38,083 --> 00:38:39,651
ENOUGH WITH THE CHECKING.

1582
00:38:39,651 --> 00:38:40,586
Y'ALL DON'T NEED TO DO THIS.

1583
00:38:40,586 --> 00:38:41,420
WE WEREN'T DOING THIS.

1584
00:38:41,420 --> 00:38:42,488
IF WE COULD COMMUNICATE--

1585
00:38:42,488 --> 00:38:43,389
[sighs]

1586
00:38:43,389 --> 00:38:44,189
WE WEREN'T DOING THIS THE DAY

1587
00:38:44,189 --> 00:38:45,023
THAT I ASKED HER THE QUESTION.

1588
00:38:45,023 --> 00:38:45,691
ALL RIGHT. OKAY.

1589
00:38:45,691 --> 00:38:46,458
BITCH, 'CAUSE I HAD TO GO

1590
00:38:46,458 --> 00:38:47,526
HOME AND THINK ABOUT WHAT

1591
00:38:47,526 --> 00:38:48,894
QUESTION THAT YOU ASKED ME--

1592
00:38:48,894 --> 00:38:49,928
YOU'RE THE MESSY ONE.

1593
00:38:49,928 --> 00:38:50,662
YOU HAD TO GO HOME AND THINK

1594
00:38:50,662 --> 00:38:51,397
ABOUT IT.

1595
00:38:51,397 --> 00:38:52,097
IF YOU HAD A PROBLEM WITH IT,

1596
00:38:52,097 --> 00:38:52,864
YOU WOULD HAVE KEPT IT REAL

1597
00:38:52,864 --> 00:38:54,466
WHEN YOU FIRST SAW ME.

1598
00:38:54,466 --> 00:38:55,401
BECAUSE WHEN I--

1599
00:38:55,401 --> 00:38:56,301
YOU WOULD HAVE KEPT IT REAL

1600
00:38:56,301 --> 00:38:57,436
WHEN YOU FIRST SAW ME!

1601
00:38:57,436 --> 00:38:59,304
YOU KNOW WHY, OLD LADY?

1602
00:38:59,304 --> 00:39:00,506
FINISH THIS CONVERSATION

1603
00:39:00,506 --> 00:39:01,407
ALREADY!

1604
00:39:01,407 --> 00:39:03,008
WHY YOU TALKING ABOUT ME

1605
00:39:03,008 --> 00:39:03,909
WITH YOUR MAN?

1606
00:39:03,909 --> 00:39:05,411
LISTEN, WHY IS MY MAN

1607
00:39:05,411 --> 00:39:06,445
TALKING ABOUT ME TO YOU?

1608
00:39:06,445 --> 00:39:07,112
BITCH, I DON'T KNOW.

1609
00:39:07,112 --> 00:39:08,013
'CAUSE I'M A BAD BITCH.

1610
00:39:08,013 --> 00:39:08,847
THANK YOU. OKAY.

1611
00:39:08,847 --> 00:39:09,715
THAT'S WHY.

1612
00:39:09,715 --> 00:39:10,416
[laughs]

1613
00:39:10,416 --> 00:39:11,417
[imitates laugh]

1614
00:39:11,417 --> 00:39:12,083
LET ME TELL YOU SOMETHING,

1615
00:39:12,083 --> 00:39:12,751
OLD BITCH.

1616
00:39:12,751 --> 00:39:13,419
I'M NOT THE BITCH

1617
00:39:13,419 --> 00:39:14,085
TO [bleep] WITH--

1618
00:39:14,085 --> 00:39:14,753
I'M NOT WORRIED.

1619
00:39:14,753 --> 00:39:15,521
'CAUSE I'LL KNOCK YOUR

1620
00:39:15,521 --> 00:39:16,187
BITCH ASS OUT, HO.

1621
00:39:16,187 --> 00:39:17,188
HOW DID YOU--

1622
00:39:17,188 --> 00:39:18,524
NO, COME ON, BOBO.

1623
00:39:18,524 --> 00:39:19,758
BITCH, 'CAUSE YOU MESSY, HO.

1624
00:39:19,758 --> 00:39:22,694
NO, YOU'RE MESSY.

1625
00:39:22,694 --> 00:39:23,429
BITCH--

1626
00:39:23,429 --> 00:39:24,095
I DARE YOU.

1627
00:39:24,095 --> 00:39:25,096
WHAT YOU WANT--

1628
00:39:25,096 --> 00:39:26,698
HEY, HEY, HEY.

1629
00:39:26,698 --> 00:39:27,833
BITCH, GET YOUR OLD ASS OUT

1630
00:39:27,833 --> 00:39:29,267
OF HERE, YOU RAGGEDY-ASS HO.

1631
00:39:29,267 --> 00:39:30,436
BITCH, GO [bleep].

1632
00:39:30,436 --> 00:39:33,071
ALL YOU DO IS [bleep], OKAY?

1633
00:39:33,071 --> 00:39:33,739
COME HERE.

1634
00:39:33,739 --> 00:39:34,573
WHAT YOU DOING ALL THAT FOR,

1635
00:39:34,573 --> 00:39:35,240
OLD LADY?

1636
00:39:35,240 --> 00:39:35,907
COME ON. COME HERE.

1637
00:39:35,907 --> 00:39:37,776
COME HERE.

1638
00:39:37,776 --> 00:39:38,610
STEVIE, I'M SICK OF THIS HO.

1639
00:39:38,610 --> 00:39:39,344
JUST SIT DOWN AND RELAX.

1640
00:39:39,344 --> 00:39:40,145
BITCH GONNA SUCK SOME

1641
00:39:40,145 --> 00:39:41,447
ASS[bleep], 'CAUSE YOU AIN'T

1642
00:39:41,447 --> 00:39:42,681
GONNA MAKE IT IN THE INDUSTRY,

1643
00:39:42,681 --> 00:39:44,683
YOU RAGGEDY-ASS OLD BITCH.

1644
00:39:49,020 --> 00:39:50,456
ON THE NEXT LOVE and HIP-HOP:

1645
00:39:50,456 --> 00:39:51,322
ATLANTA...

1646
00:39:51,322 --> 00:39:52,824
YOU NOT BEING A TEAM PLAYER.

1647
00:39:52,824 --> 00:39:53,759
YOU JUST THINKING ABOUT--

1648
00:39:53,759 --> 00:39:54,726
AND I FEEL LIKE YOU NOT BEING

1649
00:39:54,726 --> 00:39:55,794
A TEAM PLAYER.

1650
00:39:55,794 --> 00:39:56,795
AND IT IRRITATES THE [bleep]

1651
00:39:56,795 --> 00:39:57,529
OUT OF ME.

1652
00:39:57,529 --> 00:39:59,264
WELL, I APOLOGIZE THAT ME

1653
00:39:59,264 --> 00:40:00,766
AND ME HAVING A BABY'S NOT

1654
00:40:00,766 --> 00:40:02,468
A PART OF YOUR LIFE PLAN.

1655
00:40:02,468 --> 00:40:03,702
E.O.E., JUST LIKE

1656
00:40:03,702 --> 00:40:05,771
YOU TOLD ME.

1657
00:40:05,771 --> 00:40:08,006
WHAT--WHAT IS E.O.E.?

1658
00:40:08,006 --> 00:40:10,809
END OF ENGAGEMENT.

1659
00:40:10,809 --> 00:40:11,743
SHE'S STILL INVOLVED

1660
00:40:11,743 --> 00:40:13,044
IN YOUR RELATIONSHIP?

1661
00:40:13,044 --> 00:40:14,079
THAT'S THE THING, DADDY.

1662
00:40:14,079 --> 00:40:15,046
'CAUSE IF YOU GO SOMEWHERE

1663
00:40:15,046 --> 00:40:16,482
ELSE AND GET INVOLVED YOURSELF

1664
00:40:16,482 --> 00:40:17,549
IN ANOTHER RELATIONSHIP,

1665
00:40:17,549 --> 00:40:20,118
YOU MAY FIND THE SAME ISSUES.

1666
00:40:20,118 --> 00:40:21,787
IT MAY BE YOU'RE MORE OF

1667
00:40:21,787 --> 00:40:22,754
THE PROBLEM.

1668
00:40:22,754 --> 00:40:24,189
I'M NOT GONNA LET YOU DOWN.

1669
00:40:24,189 --> 00:40:25,190
I REALLY WANT TO QUARTERBACK

1670
00:40:25,190 --> 00:40:26,124
AND RUNNING BACK THIS THING,

1671
00:40:26,124 --> 00:40:27,058
LIKE, REALLY.

1672
00:40:27,058 --> 00:40:28,627
I COACH THE TEAM,

1673
00:40:28,627 --> 00:40:29,928
YOU QUARTERBACK.

1674
00:40:29,928 --> 00:40:31,897
I'M STARTING QUARTERBACK.

1675
00:40:31,897 --> 00:40:33,665
GOT A NEW GUY NOW, HUH?

1676
00:40:33,665 --> 00:40:34,866
STEVIE.

1677
00:40:34,866 --> 00:40:35,634
HE IN THE MUSIC BUSINESS,

1678
00:40:35,634 --> 00:40:37,536
RIGHT?

1679
00:40:37,536 --> 00:40:39,938
PLAY THE BANJO?

1680
00:40:39,938 --> 00:40:41,106
I DIDN'T KNOW JOHNNY

1681
00:40:41,106 --> 00:40:42,741
WAS IN THIS VIDEO.

1682
00:40:42,741 --> 00:40:44,209
WHY IS JOHNNY RAPPING

1683
00:40:44,209 --> 00:40:44,876
ABOUT GIRLS?

1684
00:40:44,876 --> 00:40:45,944
HE LIKE ME.

1685
00:40:45,944 --> 00:40:47,245
THIS IS A NEW YORK THING.

1686
00:40:47,245 --> 00:40:48,580
OKAY, GUYS, DO YOUR VIDEO.

1687
00:40:48,580 --> 00:40:49,280
WE DON'T EVEN WANT YOU

1688
00:40:49,280 --> 00:40:49,948
TO WATCH THE VIDEO.

1689
00:40:49,948 --> 00:40:50,616
HOW ABOUT THAT?

1690
00:40:50,616 --> 00:40:51,282
I'LL LET THEM HAVE

1691
00:40:51,282 --> 00:40:51,950
A GREAT VIDEO.

1692
00:40:51,950 --> 00:40:52,618
WE WANT YOU TO LEAVE.

1693
00:40:52,618 --> 00:40:53,418
WELL, DON'T BE MAD BECAUSE

1694
00:40:53,418 --> 00:40:54,119
YOUR COPILOT IS GAY.

1695
00:40:54,119 --> 00:40:55,220
PLEASE GET THE [bleep]

1696
00:40:55,220 --> 00:40:57,222
OUT OF HERE.

1697
00:40:59,157 --> 00:41:00,125
I GOT $30,000 TEETH

1698
00:41:00,125 --> 00:41:00,926
IN MY MOUTH.

1699
00:41:00,926 --> 00:41:02,227
I JUST KIND OF FEEL SOME TYPE

1700
00:41:02,227 --> 00:41:05,163
OF WAY ABOUT ODD SPECIMENS

1701
00:41:05,163 --> 00:41:07,298
UP IN THERE.

1702
00:41:07,298 --> 00:41:08,266
IF I WERE A MAN, YOU WOULD

1703
00:41:08,266 --> 00:41:09,100
BE OUT OF HERE.

1704
00:41:09,100 --> 00:41:09,968
YOU WOULD BE SURPRISED

1705
00:41:09,968 --> 00:41:13,038
HOW THAT WILL SPICE UP THINGS.

1706
00:41:13,038 --> 00:41:13,905
YOU GOT TO MAKE THEM, LIKE...

1707
00:41:13,905 --> 00:41:14,706
[grunts]

1708
00:41:14,706 --> 00:41:16,341
[laughter]

1709
00:41:16,341 --> 00:41:17,275
WHEN THEY START PULLING AWAY

1710
00:41:17,275 --> 00:41:17,976
AND [bleep]?

1711
00:41:17,976 --> 00:41:19,044
OOH, LORD.

1712
00:41:19,044 --> 00:41:20,211
YOU KNOW YOU DOING IT RIGHT.

1713
00:41:20,211 --> 00:41:21,680
WHEN THEY PULLING AWAY?

1714
00:41:21,680 --> 00:41:22,748
YEAH, WHEN THEY, LIKE--

1715
00:41:22,748 --> 00:41:23,582
[grunts]

1716
00:41:23,582 --> 00:41:24,249
YOU KNOW, "STOP!"

1717
00:41:24,249 --> 00:41:24,916
STOP!

1718
00:41:24,916 --> 00:41:25,684
WANT YOU TO STOP BUT DON'T

1719
00:41:25,684 --> 00:41:26,351
WANT YOU TO STOP,

1720
00:41:26,351 --> 00:41:28,353
YOU'RE DOING GREAT.